The Year That Was 2009 pt 1

I've been neglecting the blog lately and want to get back into posting so to start up again I'm going to subscribe to the "Out with the old and in with the new" routine. My first two posts of 2010 will be to review the year that was 2009. The first post is music and the second is everything else.

2009 was a year of big hype and modest pay offs in music. It was the year the King of Pop died, ironically sparking a career re-evaluation as audiences were able to separate the music from the person. It was the year of Glambert and Susan Boyle keeping reality tv's foot in the door of pop music. It was the year of free live concerts streaming on the internet. It was the year people went gaga for Gaga and told Kanye he's heartless. Maybe he was upset that it was the year of Taylor Swift, the lanky Country teen dominated everyone and everything else in her path.

For me personally it was the year I completed my Top 100 Favorite albums posts. It only took what, two years? I'm big on lists though, as my wife says I have lists of my lists. And true to my self, here's more lists-

To start things off, here's my Top 5 favorite albums of 2009:

5. Matthew Sweet and Susanna Hoffs - Under The Covers Vol. 2 / Chickenfoot - Chickenfoot (tie)

When old timers pool their talents, sometimes they can come up with something a little fresher than if they worked on their own. Fan that I am of Matthew Sweet and of his first pairing with the lead Bangle (2006's Vol 1.) I anxiously looked forward to this set of 70's covers. And fan that I am of Saint Sammy, how could I resist a combo with guitar god Joe Satriani, ex VH Mike Anthony and funky drummer Chad Smith? In both cases, the teams came up with solid discs touched with earnest excitement and heavenly bright spots. Sweet and Hoffs were a little more mechanical this time out than on their first combo yet still found magic in well worn power pop(Raspberries, Todd Rundgren) and classic rock (Rod Stewart, Yes) scripture. Meanwhile AOR geeks rejoiced, basking in the glory of hard hitting guitar driven grooves ("Soap On A Rope"), high flying rockers ("My Kinda Girl") and power balladry ("Learning To Fall") that's Hagar's stock in trade.

4. U2 - No Line On The Horizon

The Irish quartet returned to save the world again with their most subdued effort since...The Unforgettable Fire (1984)? I was turned off by the weak techno pop lead single "Get On Your Boots" which turned out to be the hardest rocking thing on the album. That's not to say No Line is a bad album, it's actually pretty good. The dream reteaming of producers Brian Eno and Daniel Lanois ensures the dreamy atmospherics envelope everything in its path, creating a disc that is as grey and cloudy as its album cover. Though "Moment Of Surrender" is a nice ballad, I found myself really digging the clunky rocker "Stand Up Comedy" in addition to the classic U2 flag waver "Magnificent" and the catchy "I'll Go Crazy If I Don't Go Crazy Tonight". But U2's quiet ways were too mysterious with their mass audience leading to weak sales. Wonder if they'll bring back the thunder next time out?

3. Pearl Jam - Backspacer

When I first picked up this disc I was somewhat disappointed that it seemed a little weak lyrically and that they had removed the anthem rock element they just reclaimed on '06's self titled album. A little after that I was notified I would be losing my job and this album took on special meaning to me. The enervated vibe, open ended lyrics and classic Vedder clenched teeth me-against-the-world delivery provided the motivating soundtrack to a month of hell. I've already gone on about this album in other posts so I'll end it by saying my feelings about this disc has increased greatly since my initial review of it.

2. Dave Matthews Band - Big Whiskey and the Groo Grux King

For most of the past decade, Matthews seemed to be on the run from his own band - creatively that is. DMB brought in producers to try to swerve the sound away from the intricate jam band tendencies they built their name on. But the passing of saxophonist Leroi Moore seemed to change all that and as a result we got the loosest, grooviest DMB disc in ages. The slam bang breezy rock of "Why I Am" was a highlight on an album packed with the natural, tight and instrumentally impressive music that made DMB famous. Other highlights included the gently loping "You and Me", the Cameo "Word Up" send up "Shake Me Like A Monkey" and the Lillywhite Sessions reminiscent "Lying In The Hands Of God". Of studio albums, this was the best of the year. But I'm not done yet...

1. Tom Petty and the Heartbreakers - Live Anthology

I debated over whether or not to include this, seeing how its an anthology of performances spanning back to the 70's and not a disc of new material. It's just I'm so blown away by this set (if I had done a separate post to review it Dixie would have given ten barks) that I feel compelled to include it. This is an outstanding set, five discs in all, of live performances taken from all phases of Petty's career with the Heartbreakers. Big hits, deep cuts, covers and what not are sewn together to form the facsimile of a live concert. Each song features a strong emotional performance and stack together to form something greater than the sum of its parts. This is one of the best box sets I've heard, it captures a spirit of the different facets of a brilliant artist better than most other box sets and does it with live cuts. I was lucky to get this set as a gift and even though I haven't watched the DVDs that came with it yet I will say that if you have the money to spend on this, it's well worth the price.

And now, my Top 10 songs of 2009:

10. The Lonely Island "I'm On A Boat" and Bruce Springsteen "The Wrestler" (tie)

Is having a tie a way of cheating so I can include an extra song or album in a countdown? Yup, and that won't stop me either. Comedy rappers The Lonely Island floated in "I'm On A Boat" early in the year and I turned a deaf ear to it until it was featured on a mash up with the movie Ponyo. I haven't gotten the song out of my head since then, with my flippy floppys while you're at Kinkos straight makin' copies! On the other end, The Boss provided a song for a movie soundtrack finding him in grumbly acoustic serious guy mode. He captures the soul of a beautiful loser perfectly. Technically this song is from 2008 but since I didn't listen to it until I bought this years Working On A Dream album I'm including it here.

9. Green Day "21 Guns"

All in all, I found Green Day's heavily hyped follow up to their modern classic American Idiot to be a fair but bloated affair. Except for a handful of cuts, one of them being "21 Guns" with its steady march beat and defiant chorus. Never did figure out what the song is actually about, after watching the overblown video for it I went off the song for a little while. I went back to it later, when you get to brass taxes I just like the beat and melody here.

8. Foreigner "Can't Slow Down"

A full review is to follow of the new Foreigner disc I got for Christmas. There's a lot of slow numbers on the new one, but the opening cut is a hard charging rocker that shares its title with the album. The current lead singer gets his Lou Gramm on (Grammophone?) to great affect as the guitars hammer onward to a charged anthemic chorus. A slice of AOR awesomeness on a stick.

7. U2 "I'll Go Crazy If I Don't Go Crazy Tonight"

Easily the catchiest tune on the recent U2 effort, you know a song is listener friendly when you hear it playing over the sound system of Home Depot while you shop for bricks. In one of those lazy susan musical influence deals, "Crazy" bears some resemblance to the sound Coldplay has employed to amazing success, the sound that borrows a lot from Radiohead and U2. What came first, the chicken or the egg? Either way, this is a pleasant pop rock feel good song.

6. Franz Ferdinand "No You Girls"

New new wavers Franz Ferdinand went from future stars to yesterdays news in a heartbeat between their first and second albums. On their third disc a desperate move (infusing their angular guitars with techno dance sound effects / beats) paid off with strong results peaking with "No You Girls". Balanced on a groove that is almost disco, the Scottish quartet bring the alternative rock cool on and back it up with a killer hook. The chorus has me flashing back to Greg Kihn's "Jeopardy". Normally I hate when a song is referred to as "hip". Franz Ferdinand justifies use of that word.

5. Dream Theater "The Best Of Times" (pts 1 and 2)

My favorite song off the musically spectacular but lyrically insipid DT disc Black Clouds and Silver Linings. The heartfelt intent of the words to "The Best Of Times" (not to be confused with the Styx song) about a man thanking his dying Dad is enough to overcome the maudlin sentimentality of the piece. Best of all, the proggy metalheads weave a tight fabric of instrumental virtuosity that pays off with a stunning John Petrucci guitar solo at the end. It's epic in all the right ways that make Dream Theater great.

4. Mandy Moore "I Could Break Your Heart Any Day Of The Week"

Unlikely 70's inflected pop from a former teen queen Britney Spears type singer, Mandy Moore hauled in a hand clap beat and cheap keyboards to finesse a tune that would have sounded right on an AM radio channel in 1973. And I'm a sucker for songs that use the days of the week in the chorus (see "Seven Days" under Sting for details). Amid the heavy clutter of machines and calculated marketing moves that make up modern pop music, Mandy Moore sounded like a breath of fresh air in '09. And yes, this is the same girl who once sang "Candy" and starred in those teen romance movies.

3. Bon Jovi "We Weren't Born To Follow"

OK, you're Jon Bon Jovi and you think: you know what a new Bon Jovi album needs? "Born To Be My Baby" with different lyrics! Yes, that's precisely what was needed Jon Bon Jovi. That sir, is why you earn the big bucks. Musical cop out that it is, I freakin love this song. Maybe it was the timing, I certainly could use encouraging music from a familiar artist. "We Weren't Born To Follow" (just noticed this title even has "Born" in it!) hit home and meant a lot to me. And thank you Richie Sambora for redoing that guitar solo.

2. Lady Antebellum "Need You Now"

Well look at that, I picked a Country song for number two. My cousin gave me the debut album which I thought was decent pop rock done Country style so when their new song for their second album popped up I gave it a shot. Well, I was floored by how good the new song is. A straightforward pop rock duet rendered nicely with able vocalists. Sure, this is about as Country as say Restless Hearts "When She Cries" (meaning its not) but that's fine with me, I don't listen to hardcore Country. This is like Starship's "Nothings Gonna Stop Us Now" for the new millennium. Which I guess isn't that new anymore since we're up to 2010.

1. Matthew Sweet and Susanna Hoffs "Go All The Way"

Duets are us it seems, Sweet and Hoffs Marvel Team Up hit a home run with their cover of The Raspberries / Eric Carmen classic "Go All The Way". The revved up guitar riff and intertwining voices make for audio ecstasy thanks to an inspired performance by the dynamic duo. It may also help that my copy of the original song sounds like crap even though it's from a Time Life collection. Anyway, this cover encapsulated everything that makes the pairing of these two great. (The only place I could find the song online is their myspace page, you have to click on the song to play)

2009, so glad its gone. Next is the year in movies, tv and whatever else I can think of media related. Vampires you say? That is so last year and I hear they suck.

The Design Of A Decade pt deux: Post Flannel Fury!

All that you can't leave behind is how to dismantle an atomic bomb because there is no line on the horizon.

The Grunge and Alterna Rock boom of the early 90's was the last significant movement in Rock music that would hit on a mass scale in my book. When the 2000's rolled around many of those flannel wearing acts had broken up or gone back to the underground. At the same time there were artists who did persevere, gliding into the second stage of their career proving they still had some potency left past their 20s. Of those that survived, here are my favorites:

All That You Can't Leave Behind...Luggage!

U2's 2000 release All That You Can't Leave Behind is my top pick from this genre, though technically they were an 80's band. Top flight songs (the hits "Beautiful Day", "Stuck In A Moment", "Elevation" and "Walk On" all stem from this disc) broadcasting a weary, melancholy sense of hope became my soundtrack to the feeling after 9/11. It also brought guitars back to the band's sound after spending the 90's tinkering with electronic noise. A great album.

With The Lights Out, It's Less Dangerous

The Smashing Pumpkins kicked off the new millennium with what was supposed to be their swan song, Machina/The Machines Of God (2000). While the album is a little abstract (it was the remnants of a planned concept disc that didn't go through) there is some good stuff here. Not the greatest Pumpkins disc, but not an embarrassment either. Anyway, it was Pearl Jam's return to anthemic songwriting that pushed their self titled Pearl Jam (2006) to the top of the ex flannel heap. Scorchers like "Life Wasted" or "Big Wave" exploded on impact. Former Nirvana drummer Dave Grohl led his Foo Fighters through Echoes Silence Patience Grace (2007), a decent disc highlighted by two outstanding jams "The Pretender" and "Long Road To Ruin". Coming in at the end of the Grunge era was Weezer, who sat out the last part of the 90's only to return armed with an inspired set of compelling nerd rock on 2001's Weezer (the green album). "Island In The Sun" still gets my head bopping.

It Is The Distant Future, The Year 2000

Like the album cover, Green Day caught everyone off guard with a masterstroke pop punk concept album American Idiot (2004) going off like a grenade. An artistic triumph, Green Day spoke to the disaffected with a strong set of songs that hung together thematically. American Idiot was one of the discs I played the most within the last couple of years. And no one saw it coming from a trio that was written off as lightweight has beens.

Radiohead has been the barometer for everything considered great about rock music following The Bends in 1995. Many Best Of The Decade lists I've seen rate Kid A (2000) near the top, an album I could not get into. Electronic doodling in rock music is nice as an additional extra, like buying an accent piece of furniture, but I hate when rock bands remove guitars completely in favor of blips and bloops (lookin' at you U2 and Radiohead!). The Radiohead album I did get into was the famous freebee In Rainbows (2007). A sturdy bunch of songs packed with that whiny croony thing Thom Yorke does so well. Along similar lines, Coldplay became one of the few new stadium bands of the 21st Century thanks to a string of polished, glossy U2/Radiohead style balladry. A Rush Of Blood To The Head (2002) was a compelling listen evoking a sort of post modern yearning for something more. It's a mellow ride through a mildly tortured soul. The lone downside is that "Clocks" threatened to become as ubiquitous in montages as Green Day's "Good Riddance (Time Of Your Life)" was five years before it. Once I heard "Clocks" used in a scene from ER I saw there was no getting away from that song. Ever.

Not to be left in the past, alternative techno rock icon Trent Reznor served up the pretty good With Teeth (2005) for his Nine Inch Nails. It wasn't as inspired as his best work, instead it was consistently good with "Only" becoming my favorite NIN song.

Shiny Happy People Marching

R.E.M. spent most of the time making mediocre albums to a fanbase that kept wondering - when was R.E.M. going to be great again? What happened to those sublime post punk songs with the riddle filled lyrics? In 2008, R.E.M. took a shot at regaining their own title back as jangle rock kings on Accelerate and came damn close to succeeding. On its own terms, Accelerate powers forward by embracing the bands past but not copying it.

R.E.M. had their roots in college rock or what's now called Indie rock which will be the next genre on my list here. Because that's me in the corner, that's me in the spot. light.

December 8th Add On

There were two CDs that I went back and forth on including and ultimately I decided to tack them on. The first is Pearl Jam's latest Backspacer (2009). I didn't think much of this disc when I first got it but since then it has grown and resonated with me strongly so I am adding it on. Also, power pop ace Matthew Sweet generated Kimi Ga Suki (2003) should have been included for its pure chimy catchiness.

This Is It

I haven't posted much lately as I have been busy preparing for today, the big day, the day I join the ranks of the unemployed. This will be the first time I haven't had a job since 1993. I can't say I'm alone as I have co-workers that are being laid off today as well and anyone who has looked around cyberspace or seen the news knows I am not in a unique situation. Even with the economy beginning to turn around, there are plenty of people that have been or will be let go from their employment due to their company's financial desires or fortunes. But rather than dwell on what a major bummer this is for me, this post will be about what entertainment got me through the past few weeks. And thank you to my wife for all her support!

Music:

Didn't I just review Pearl Jam's Backspacer CD? Funnily enough, even though I rated the music a 7.5 out of 10 for being lyrically vague it's that generalness that made it resonate with me more in the past two weeks. Going to work knowing the end is coming was like crashing "Against The Waves", trying to put a fix on the situation of looming unemployment a la "The Fixer" and reminding myself to "Just Breathe" because fittingly, "The End" was coming. Pearl Jam's unquestionable energy and integrity helped drive me (literally, I played it a lot in the car) to get past these final days. Backspacer developed more for me due to the circumstances of the timing of when I heard it, I bought it the day I was given notice my job would be ending and it has been the soundtrack to this period of my life.

I also have been playing some Styx as I hadn't realized how much Tommy Shaw writes about unemployment until now. "Blue Collar Man" and "Too Much Time On My Hands"? You're singing my song, Mr. Shaw.

Television:

My wife and I took comfort in watching my DVD set of T.J. Hooker, the early 80's classic cop show starring the legendary William Shatner. The Shat kicks ass as the tough veteran blue suit who pontificates on the crime of the week with authority. He has so much authority that even his ex-wife calls him "Hooker" instead of T.J., or Thomas, or Tom or any other variation of (my wife pointed this out). All of the "maggots", "punks" and "scum" can't stand up to the power of the Shatner 2000. No criminal could outrun the girdled one as Shatner breaks every rule to bring the bad guys down. And whatever happened to Adrian Zmed?

Movies:

Last night I watched I Love You Man, a fun bromance comedy starring that guy from the Jennifer Aniston movie involving a baby I think and the dude that's not the star but co-star that's not Neil Patrick Harris on How I Met Your Mother. It starts off a little slow but once the HIMYM guy shows up it picks up considerably. Gotta respect any film that gives Rush as much props as they get here. And Rashida Jones (Quincy Jones' daughter) plays the unassuming girlfriend to perfection, giving depth to a sketchy role.

One last song that keeps going through my head is Sinead O'Connor's "The Last Day Of Our Acquaintance". Okay, okay, okay - I guess one sad song makes it through on this post. But as they say, this is also an opportunity for a new beginning. So I'll pile on Chicago's "Beginnings" on the flip side. Oh yeah!

Keep The Fire Burnin'

Eddie Vedder leads the charge once again for Pearl Jam.

Rating:

and a half

Shortly before the release of Pearl Jam's new album Backspacer it seemed like the band couldn't catch a break. Bassist Jeff Ament was mugged outside of the recording studio and a deal to make the new disc exclusive to Target had fans crying "sell out". Sure this group has been through worse, it still was a less than auspicious setting to drop a new album.

When last we saw Pearl Jam they had reclaimed their often copied anthemic sound that they had dropped after their third album Vitalogy. Here on Backspacer it gets dropped again as Pearl Jam returns to an emphasis on wiry rhythms and subdued melodies. Every PJ album has its own flavor and here a loose punkiness mixed with maturity takes hold. Most of the songs are relatively short and the fast beat of the first four songs (The Whoish "Gonna See My Friend", "Got Some", the lead single "The Fixer" and the almost funky "Johnny Guitar") shoot by like a bullet.

In the middle of the album is "Just Breathe", a mellow acoustic ballad that sounds like a radio hit waiting to happen on adult contemporary. A surprise from this usually defiant rock band.

The sudden drop in tempo allows for more varied beats and a bit of classic rock such as the surging heroic "Amongst The Waves" with it's extended guitar solo or the pensive Traffic like piano driven "Unthought Known".

"Supersonic" picks up the pace again with another rapid fire rocker before going into a slower, swaying "Speed Of Sound". "Force Of Nature" is a decent mid tempo piece before closing with the reflective acoustic song (with strings!) "The End".

Overall, Pearl Jam sounds as invigorated and inspired as ever with a nerve and awareness in every track. They take chances by getting more frantic and ragged on the rockers while being sentimental and a bit mushy on ballads. Lyrically, it is one of their blander efforts with a lot of self affirmations and invocations of light, spirit, standing up for or against things. The relatively short run time (somewhere around 40 minutes) is perfect as it doesn't overstay its welcome. A good but not great Pearl Jam album.