Midnight Madness - Chuck Edition

Chuck has made his return to NBC with new episodes, three eps in two days, and brought the magic back. Go Chuck!

And Away We Go - art house director Sam Mendes (American Beauty, Road To Perdition) is in talks to direct the next 007 outing. This sounds really promising, Road To Perdition had a great mix of interesting characters, dark drama and shoot out action. I hope he gets the job and sounds like a great pick.

American Oh No - More British news, Simon Cowell has made this upcoming season the last he will be on American Idol. Enjoy the scathing sarcasm directed towards young adults while it lasts folks. Who else has a knack for crushing young people's hopes as good as Cowell? My wife and I discussed it, our best bets are David Lee Roth or Howard Stern. I think Stern would be awesome, he'd bring a rude crassness that could up the ante from Cowell's harshness. Though Roth would definitely be flashy and fun.

What's The Key? - No one will mistake me for a hip hop kinda guy, but I do like the R&B ways of Alicia Keys. The first two singles from her recent album have come and gone with little notice, though her album is selling well. But why the lack of hit songs (not including her #1 hit team up with Jay Z)? Particularly since the recent "Try Sleeping With A Broken Heart" was good? At least she can always fall back on her booty call.

Boulevard Of Broken Dreams - Green Day's stage adaptation of American Idiot is going to Broadway. If it becomes the new Mamma Mia, that will be scary. Grandfolks all over New York singing Green Day...or should it be Greed Day.

I'm Gonna Break My Rusty Cage And Run - Chris Cornell announced the long awaited reunion of grunge masters Soundgarden. Sludgy guitar riffs and soul shredding screaming will rule again!

Overexposed Movie Advertisement Of The Week - I think they'll finally stop now that the movie has opened, but I say enough of the adverts for Daybreakers. Vampires that rule the world and are running out of humans to suck on. A "where are they now" cast of Ethan Hawke and Sam Neill. Can you say overblown high concept hooey filmed through an annoying green tint? Can you say bad cash in on left over ideas from this Vampire thing that has been beaten to death? I predict the next Vampire movie will have something to do with space, it makes no sense, but I just think it will. And monkeys. Blood sucking space monkeys from outer space starring Mark Wahlberg. You heard it here first!

Nothin' Matters And What If It Did - No reason to type this other than I always wanted to lead off a post with this John Cougar album title.

What's a Nine? - Seriously, I haven't bothered to look this up but see this CD everywhere I go. What is it?

Big Poppa Pump - Psyche! Thought I was going to say something about Scott Steiner (and all the non wrestling fans say "Who's that?")? Mark McGwire finally finally finally admits to using steroids in his baseball career. In the early 90s when I worked in a theme park, McGwire once walked past me. The man's bicep was literally as big as my head. His admission explains a lot.

Mini DVD Reviews:

• Slumdog Millionaire (2008) - The Academy Award winning movie for Best Picture actually lived up to it's hype. The gimmick of revealing a character's life through flashbacks of a game show is ingenious. Director Danny Boyle gets the right balance of humanizing characters and telling a moving story of an earnest underdog. Good flick.


• The Hangover (2009) - I got this movie as a Christmas gift and had read a lot about how this was supposed to be funny. Good comedy is one of the toughest types of movies to make, surprisingly The Hangover actually is funny. Breakout comedy performances, mainly by Zach Galifianakis as the slightly off odd ball, power a strong ensemble of no name actors. Todd Phillips gives fine direction capturing the boys club atmosphere ably as he has in the past (Old School). Funny and well executed


• Race To Witch Mountain (2009) - The Rock says this: I want you to take that space ship, shine it up real nice, and shove it straight up your candy ass!!! A remake of a beloved 70's Disney favorite (well, beloved by me I worshiped Escape To Witch Mountain as a kid) is simplistic to a fault but I was real tired and wanted a no brainer movie to watch. This fit the bill nicely. It's disposable film making on a big budget (the special effects were decent).

The Year That Was 2009 pt. 2

...And now, the best of the rest. It looks like 2010 is shaping up to be the year of Avatar, last year it was all about blood sucking vampires pouting 90210 style. They are the latest fad and I've got to say one of the most bizarre ones I've seen, and I've lived through Teenage Mutant Ninja Turtles twice. Either old age is setting in or mainstream filmmaking is becoming increasingly empty - with a few exceptions of course. Those exceptions are my Top 5 movies of 2009 (not including The Hangover because I have the DVD but haven't watched it yet).

5. The Watchmen

It looked like this film wouldn't see the light of day for the longest time. Now it has, in a new version every four months. There's the original cut, the directors cut, the ultimate cut and who knows what else and the movie has only been out for a year. Naturally The Watchmen couldn't live up to its hype or the graphic novel that spawned it, taken on it's own terms though it's good. Well cast, ably directed with a sleek appearance and effective in evoking the basic themes of the comic made The Watchmen watchable. Nicely done pulp fiction.

4. Taken

Liam Neeson dramatically threatens a kidnapper a continent away and then proceeds to kick more ass than he did in Star Wars, Darkman and Rob Roy combined. Carrying on like a post retirement Jason Bourne, Neeson outwits and outguns the trash who took his daughter with cruel efficiency. Even when the film completely goes off the rails in the last half hour, I was rooting for Neeson to win. Bonus for the down and dirty approach the director took to give Taken a more realistic feel. And also an extra award for having the best movie advertisements of the year. Those images of the daughter witnessing the kidnapping of her friend and awaiting her own while Neeson is on the phone with her is pulse pounding stuff. An extended commercial was used on tv that was so long you thought you accidentally changed the channel to a different show that you didn't want to change off of. Best marketing of the year!

3. Food Inc.

A disturbing documentary about the near omnipotence of the food industry over its own production, distribution and even media coverage. Food Inc reveals a world where the standards and operating conditions of the industry has sunk to Upton Sinclair The Jungle levels while we eat a billion variations of corn and beef from shit covered cows. The film offers no easy answers, just presents the dire situation. Tough stuff to watch but important viewing nonetheless.

2. Star Trek

So I'm guessing...no Star Trek Voyager movie? Just kidding, JJ Abrams effectively reboots the classic Star Trek crew with gusto in an update that jettisons everything high brow about it. Exploration? Looking for the common ground to communicate with others? Not here, what we do have is the Star Trek that Paramount execs have dreamed about for decades: lasers, explosions, gun fights, fist fights and a lot of running. That's not necessarily a bad thing though, the original Star Trek and its multiple variations had run its course. Star Trek was THE popcorn movie of the year and a ton of fun. More like a sequel to Starship Troopers than Star Trek.

1. Up

This was one of the hardest movies to grasp based on the advertisements, once I saw the film I could tell why. Developing the motifs hinted at in Wall-E, Up takes CGI animation to a new emotional level. The opening minutes featuring a dialogueless montage of a couples' life from childhood meeting to the death of a spouse was one of the great moments not just of 2009 but all of cinema. Not a dry eye in the place after that, except for the kids that were too young to understand what was going on. After that opening, likable characters help carry an adventure filled with playfulness and touched by sadness. Awesome movie.

Now that I've gone over the movies, my favorites of tv in '09 were:

5. Star Wars: The Clone Wars

Into its second season, the animated series has improved by varying its plot lines more while developing its characters (the Anakin Skywalker from this series would have been much more believable in turning to the dark side if he was shown as the win at all costs shortsighted slasher he is here instead of the whiny crybaby in the actual films. Wah, I miss my Mommy let me take over the galaxy instead.). The action has zip that occasionally reaches the crescendo heights of the original Star Wars.

4. Flight Of The Conchords

The New Zealand duo stumbled a little in the second season, the songs weren't quite as consistently sharp as the first season. Then they go and pull out an incredible episode where Jermaine and Bret fight over a girl who has lost her epileptic dog culminating in a charity concert for epileptic dogs where the duo unleash a light show that seizures all the dogs in the house. Overall the Conchords retained their sense of naive fun and were able to serve up plenty of memorable moments (like the Art Garfunkel fetish, the coffee cup that leads to prostitution, etc) to make it a fun season.

3. Family Guy

Even stretched as thin as he is, Seth MacFarlane has been able to keep Fam Guy going. It's not quite as funny as it had been in the past but there is still good stuff to be found. Long John Peter was classic ("A-Ha!") as was the Patrick Swayze tribute ("Roadhouse!"). And the first episode of 2010 where Peter loses his memory and Meg tells a doozy of a joke was the best episode in a while. Still my favorite animated series on tv, though American Dad and The Cleveland Show are time passers at best.

2. The Big Bang Theory

Knock knock knock...Penny? Knock knock knock...Penny? The second best geek show on tv (or if you go by ratings, the best), Big Bang Theory was consistently funny every week as super nerd anal retentive Sheldon found new ways to misconstrue his surroundings. Having watched seasons 1 & 2 on DVD after Christmas, I'm eager for a new season of geeky fun.

1. Chuck

Speaking of geeky fun, the second season of Chuck showed signs of slowing down until it hit a story arc about finding Chuck's dad and the mystery programmer Orion (both played by the always likable Scott Bakula). Like the fine souffle', Chuck mixed James Bond, workplace comedy and geek attitude to a frothy mix (and obviously I know nothing of souffle's). A great ensemble screw ball comedy with a veneer of spy stuff, Chuck is a great show that can't seem to find an audience. And it returns this Sunday in a two hour special!

And that was that in 2009. In tv the show Community came in at a very close 6th place, almost a tie except I abused the"tie" thing in the previous post. I've gotten some Christmas gifts worth reviewing, so reviews and more things to come. And below is the behind the scenes preview of Chuck. Looks awesome as ever.

The Year That Was 2009 pt 1

I've been neglecting the blog lately and want to get back into posting so to start up again I'm going to subscribe to the "Out with the old and in with the new" routine. My first two posts of 2010 will be to review the year that was 2009. The first post is music and the second is everything else.

2009 was a year of big hype and modest pay offs in music. It was the year the King of Pop died, ironically sparking a career re-evaluation as audiences were able to separate the music from the person. It was the year of Glambert and Susan Boyle keeping reality tv's foot in the door of pop music. It was the year of free live concerts streaming on the internet. It was the year people went gaga for Gaga and told Kanye he's heartless. Maybe he was upset that it was the year of Taylor Swift, the lanky Country teen dominated everyone and everything else in her path.

For me personally it was the year I completed my Top 100 Favorite albums posts. It only took what, two years? I'm big on lists though, as my wife says I have lists of my lists. And true to my self, here's more lists-

To start things off, here's my Top 5 favorite albums of 2009:

5. Matthew Sweet and Susanna Hoffs - Under The Covers Vol. 2 / Chickenfoot - Chickenfoot (tie)

When old timers pool their talents, sometimes they can come up with something a little fresher than if they worked on their own. Fan that I am of Matthew Sweet and of his first pairing with the lead Bangle (2006's Vol 1.) I anxiously looked forward to this set of 70's covers. And fan that I am of Saint Sammy, how could I resist a combo with guitar god Joe Satriani, ex VH Mike Anthony and funky drummer Chad Smith? In both cases, the teams came up with solid discs touched with earnest excitement and heavenly bright spots. Sweet and Hoffs were a little more mechanical this time out than on their first combo yet still found magic in well worn power pop(Raspberries, Todd Rundgren) and classic rock (Rod Stewart, Yes) scripture. Meanwhile AOR geeks rejoiced, basking in the glory of hard hitting guitar driven grooves ("Soap On A Rope"), high flying rockers ("My Kinda Girl") and power balladry ("Learning To Fall") that's Hagar's stock in trade.

4. U2 - No Line On The Horizon

The Irish quartet returned to save the world again with their most subdued effort since...The Unforgettable Fire (1984)? I was turned off by the weak techno pop lead single "Get On Your Boots" which turned out to be the hardest rocking thing on the album. That's not to say No Line is a bad album, it's actually pretty good. The dream reteaming of producers Brian Eno and Daniel Lanois ensures the dreamy atmospherics envelope everything in its path, creating a disc that is as grey and cloudy as its album cover. Though "Moment Of Surrender" is a nice ballad, I found myself really digging the clunky rocker "Stand Up Comedy" in addition to the classic U2 flag waver "Magnificent" and the catchy "I'll Go Crazy If I Don't Go Crazy Tonight". But U2's quiet ways were too mysterious with their mass audience leading to weak sales. Wonder if they'll bring back the thunder next time out?

3. Pearl Jam - Backspacer

When I first picked up this disc I was somewhat disappointed that it seemed a little weak lyrically and that they had removed the anthem rock element they just reclaimed on '06's self titled album. A little after that I was notified I would be losing my job and this album took on special meaning to me. The enervated vibe, open ended lyrics and classic Vedder clenched teeth me-against-the-world delivery provided the motivating soundtrack to a month of hell. I've already gone on about this album in other posts so I'll end it by saying my feelings about this disc has increased greatly since my initial review of it.

2. Dave Matthews Band - Big Whiskey and the Groo Grux King

For most of the past decade, Matthews seemed to be on the run from his own band - creatively that is. DMB brought in producers to try to swerve the sound away from the intricate jam band tendencies they built their name on. But the passing of saxophonist Leroi Moore seemed to change all that and as a result we got the loosest, grooviest DMB disc in ages. The slam bang breezy rock of "Why I Am" was a highlight on an album packed with the natural, tight and instrumentally impressive music that made DMB famous. Other highlights included the gently loping "You and Me", the Cameo "Word Up" send up "Shake Me Like A Monkey" and the Lillywhite Sessions reminiscent "Lying In The Hands Of God". Of studio albums, this was the best of the year. But I'm not done yet...

1. Tom Petty and the Heartbreakers - Live Anthology

I debated over whether or not to include this, seeing how its an anthology of performances spanning back to the 70's and not a disc of new material. It's just I'm so blown away by this set (if I had done a separate post to review it Dixie would have given ten barks) that I feel compelled to include it. This is an outstanding set, five discs in all, of live performances taken from all phases of Petty's career with the Heartbreakers. Big hits, deep cuts, covers and what not are sewn together to form the facsimile of a live concert. Each song features a strong emotional performance and stack together to form something greater than the sum of its parts. This is one of the best box sets I've heard, it captures a spirit of the different facets of a brilliant artist better than most other box sets and does it with live cuts. I was lucky to get this set as a gift and even though I haven't watched the DVDs that came with it yet I will say that if you have the money to spend on this, it's well worth the price.

And now, my Top 10 songs of 2009:

10. The Lonely Island "I'm On A Boat" and Bruce Springsteen "The Wrestler" (tie)

Is having a tie a way of cheating so I can include an extra song or album in a countdown? Yup, and that won't stop me either. Comedy rappers The Lonely Island floated in "I'm On A Boat" early in the year and I turned a deaf ear to it until it was featured on a mash up with the movie Ponyo. I haven't gotten the song out of my head since then, with my flippy floppys while you're at Kinkos straight makin' copies! On the other end, The Boss provided a song for a movie soundtrack finding him in grumbly acoustic serious guy mode. He captures the soul of a beautiful loser perfectly. Technically this song is from 2008 but since I didn't listen to it until I bought this years Working On A Dream album I'm including it here.

9. Green Day "21 Guns"

All in all, I found Green Day's heavily hyped follow up to their modern classic American Idiot to be a fair but bloated affair. Except for a handful of cuts, one of them being "21 Guns" with its steady march beat and defiant chorus. Never did figure out what the song is actually about, after watching the overblown video for it I went off the song for a little while. I went back to it later, when you get to brass taxes I just like the beat and melody here.

8. Foreigner "Can't Slow Down"

A full review is to follow of the new Foreigner disc I got for Christmas. There's a lot of slow numbers on the new one, but the opening cut is a hard charging rocker that shares its title with the album. The current lead singer gets his Lou Gramm on (Grammophone?) to great affect as the guitars hammer onward to a charged anthemic chorus. A slice of AOR awesomeness on a stick.

7. U2 "I'll Go Crazy If I Don't Go Crazy Tonight"

Easily the catchiest tune on the recent U2 effort, you know a song is listener friendly when you hear it playing over the sound system of Home Depot while you shop for bricks. In one of those lazy susan musical influence deals, "Crazy" bears some resemblance to the sound Coldplay has employed to amazing success, the sound that borrows a lot from Radiohead and U2. What came first, the chicken or the egg? Either way, this is a pleasant pop rock feel good song.

6. Franz Ferdinand "No You Girls"

New new wavers Franz Ferdinand went from future stars to yesterdays news in a heartbeat between their first and second albums. On their third disc a desperate move (infusing their angular guitars with techno dance sound effects / beats) paid off with strong results peaking with "No You Girls". Balanced on a groove that is almost disco, the Scottish quartet bring the alternative rock cool on and back it up with a killer hook. The chorus has me flashing back to Greg Kihn's "Jeopardy". Normally I hate when a song is referred to as "hip". Franz Ferdinand justifies use of that word.

5. Dream Theater "The Best Of Times" (pts 1 and 2)

My favorite song off the musically spectacular but lyrically insipid DT disc Black Clouds and Silver Linings. The heartfelt intent of the words to "The Best Of Times" (not to be confused with the Styx song) about a man thanking his dying Dad is enough to overcome the maudlin sentimentality of the piece. Best of all, the proggy metalheads weave a tight fabric of instrumental virtuosity that pays off with a stunning John Petrucci guitar solo at the end. It's epic in all the right ways that make Dream Theater great.

4. Mandy Moore "I Could Break Your Heart Any Day Of The Week"

Unlikely 70's inflected pop from a former teen queen Britney Spears type singer, Mandy Moore hauled in a hand clap beat and cheap keyboards to finesse a tune that would have sounded right on an AM radio channel in 1973. And I'm a sucker for songs that use the days of the week in the chorus (see "Seven Days" under Sting for details). Amid the heavy clutter of machines and calculated marketing moves that make up modern pop music, Mandy Moore sounded like a breath of fresh air in '09. And yes, this is the same girl who once sang "Candy" and starred in those teen romance movies.

3. Bon Jovi "We Weren't Born To Follow"

OK, you're Jon Bon Jovi and you think: you know what a new Bon Jovi album needs? "Born To Be My Baby" with different lyrics! Yes, that's precisely what was needed Jon Bon Jovi. That sir, is why you earn the big bucks. Musical cop out that it is, I freakin love this song. Maybe it was the timing, I certainly could use encouraging music from a familiar artist. "We Weren't Born To Follow" (just noticed this title even has "Born" in it!) hit home and meant a lot to me. And thank you Richie Sambora for redoing that guitar solo.

2. Lady Antebellum "Need You Now"

Well look at that, I picked a Country song for number two. My cousin gave me the debut album which I thought was decent pop rock done Country style so when their new song for their second album popped up I gave it a shot. Well, I was floored by how good the new song is. A straightforward pop rock duet rendered nicely with able vocalists. Sure, this is about as Country as say Restless Hearts "When She Cries" (meaning its not) but that's fine with me, I don't listen to hardcore Country. This is like Starship's "Nothings Gonna Stop Us Now" for the new millennium. Which I guess isn't that new anymore since we're up to 2010.

1. Matthew Sweet and Susanna Hoffs "Go All The Way"

Duets are us it seems, Sweet and Hoffs Marvel Team Up hit a home run with their cover of The Raspberries / Eric Carmen classic "Go All The Way". The revved up guitar riff and intertwining voices make for audio ecstasy thanks to an inspired performance by the dynamic duo. It may also help that my copy of the original song sounds like crap even though it's from a Time Life collection. Anyway, this cover encapsulated everything that makes the pairing of these two great. (The only place I could find the song online is their myspace page, you have to click on the song to play)

2009, so glad its gone. Next is the year in movies, tv and whatever else I can think of media related. Vampires you say? That is so last year and I hear they suck.