One trend I liked in the early 90's was Beavis and Butthead, the crudely animated teenage metalheads who passed judgement on whatever music videos played. A nostalgic throwback to when MTV played actual music videos instead of junk like I Wanna Be In A Pretend Band or My Ridiculously Expensive Birthday whatever those shows are called. Yes, there was a time when MTV would play music videos and people would sit and watch it, Beavis and Butthead captured that moment. They also captured making sarcastic or excited remarks at the tv when videos appeared on screen that got a reaction.
It was like someone had put on tv the stuff we did in real life. When I met some new friends around '83 one of the first things they included me in was miming the Def Leppard "Photograph" video with them towards their living room mirror when the clip came on (I know, dorky, just keepin' it real). Or arguing with others as to whether or not Duran Duran's "The Reflex" or Hall & Oates "Some Things Are Better Left Unsaid" were filmed in the Bay Area. Watching my friend get excited because Van Halen's "Dreams" came on and hurt himself attempting to tackle another guy as a result (teenage adrenalin = hard hittin' football!) was pretty funny. Even funnier, after he missed the tackle and slammed into his dresser his glasses came off and we had to listen to him complain like it was our fault he bent his glasses.
Beavis and Butthead kicked off that whole "bad animation" thing that South Park followed up on, because then like now we were in a recession and could relate to doing things cheaply. The more low budget the better in the early 90's, grunge, gangsta rap, indie movies, animation that looked like colorforms, it spoke to a generation that saw the Big 80's economy crash and burn. B&B also launched the career of Mike Judge (Office Space, King Of The Hill) who has become an enduring talent. But the real beauty of B&B was that it was fodder for cheap shot artists like me :)
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Oh, below is a clip of the Beavis and Butthead episode that includes T'Pau's "Heart And Soul" which is how this whole post got started. Huh huh, huh huh...I started my "post". Yeah, yeah...I'm showing my "post" on my "log". Huh huh, my log stinks...
A little while ago I wrote about how I didn't like the movie Ponyo, now there's a version online that mashes it up with a comic rap song by The Lonely Island called "I'm On A Boat". It's pretty funny and much better than seeing the actual film. I found this on the website for Paste magazine.
After yesterdays post I came to the conclusion that there are some songs that scare me - scare me because I like them even though my brain tells me I really shouldn't. It's funny this should even happen to me because I generally like music that critics and snobs would label relentlessly cheesy (like Slaughter's "Up All Night"), but there are tunes that even I am ashamed to admit liking. And now, the day after Halloween, get ready for those things that go bump in the night...because I wouldn't want to be caught listening to them in the day time.
I've written about this song before, Chicago's forgotten cover of their own early '70's hit. Where the original was all about speed - speedy bass line, Peter Cetera's high whine, horns darting in and out while Terry Kath burns the hell out of his guitar, the remake was slow and clunky. The bass line moves at a crawl while an endlessly repeating drum pattern that sounds like it was done on trash cans churns on. Add a ridiculous 1984 inspired music clip that tries to disguise the band (because Peter Cetera had just been replaced by Jason Scheff) and you have a monumental piece of trash...that I love. Tonight I could only find the live version, it does not reduce it's greatness.
The pon farr, it boils the blood! And so does this, the half spoken half sung 80's tech rocker performed by British band T'Pau (named after the Vulcan leader in Star Trek) fittingly led by Carol Decker (fascinating...not Decker unit?). Beavis and Butthead nailed this one commenting something like "Dial 1-800-sex me. Huh Huh" over this vid clip. Yet at random I find this going through my head, the rhythm pattern is irresistible for me. Agh!
Rock and roll rebellion couched in soft rock fluffiness? Going to a Catholic High School in the 80's, it was funny to listen to the Principal (a Catholic Brother) go on and on about the evils of the song "Afternoon Delight". Most of the class had no clue what this song even was at that point. Thankfully, the song got a revival a few years back due to a Will Farrell movie called Anchorman. The pure empty headed bliss that goes into the singing of lyrics like "Rubbin sticks and stones together makes the sparks ignite / And the thought of rubbin you is getting so exciting" is like the ultimate key party soundtrack from the 70's. Sky rockets in flight indeed.
I absolutely hated this song when it came out, it was as extremely wimpy as music got in that moment. Spandau Ballet, dressed up in suits like a bad 1920's nightclub act, singing how they know this much is...wait for it...TRUE! For decades I made fun of this song and would sing it with Shattnereque emphasis. Then the song went and snuck up on me, all that time singing it made me appreciate it. That "True" was barely remixed and made into the P.M. Dawn hit "Set Adrift On Memory Bliss" helped me like it even more, now I have to say I like the song as a whole. This much is true.
Before being famous for her unfortunate private life, Rihanna hit it big serving up this slice of sleek James Bondish pop. A nice sense of mystery and of course that nagging hook "-ella-ella-ella-ella" that you can apply to the end of any sentence -tence -tence -tence makes it fun.
It seems like the theme to many of the songs I'm ashamed to like it that they're, well, wussy. Multiply the wuss factor times ten now, because this disco grooving girly whisper of a tune from a Leonardo Dicaprio movie is number 4 on this countdown. My wife made fun of me the other day for singing along with this, a sure sign of shame! I guess I could do a Dicaprio double play and include the Growing Painstheme in here. Or worse mash them up. Love me, Love me, show me that smile again. Speaking of mash up, here's ex-American Idol contestant Chris Daughtry and comedian Dane Cook jamming on Growing Pains together. Who'da thought of that?
Growing up in the Northern California Bay Area, I heard tons of hip hop and rap in the 80's and early 90's just hanging out with friends (it's the most popular style of music out here). So whether I liked it or not (I generally am not a rap fan), I would often hear hip hop / rap acts before they became national hits and NWA was one of them. There are many reasons for me not to like this, from the reprehensible name of the group (everyone knows the "N" in the name is not politically correct) to the fact that it gave birth to Gangsta rap changing the character of the entire genre from fun and lightness to misogyny and lethal violence. Plus more uses of the N word than anyone would have thought possible. And really, as a middle class kid who gained most of his street gang knowledge from an episode of Quincy M.E. (because no one is more down than Jack Klugman. No one!) there wasn't a lot I could directly relate to. But it's got a good beat and the energy of the trade offs between the different rappers comes across with palpable fury. No wonder the gang mentality seems so attractive to people. I don't own this song, but if I did I probably would look like Michael Bolton in the movie Office Space.
With songs often better suited for comic punchlines than actual listening pleasure, teen queen Britney Spears had one truly great jam before plunging into an abyss of over indulgent madness. Spear's "Toxic" with its wacky wavy fake strings synth lines and breathless vocals was a pop atom bomb obliterating the competition. Yet what guy could admit to anyone their love for this dance floor ditty? A co-worker once noticed this song on my IPOD and called me on it which left me mortified, as Gomer Pyle would say surprise, surprise,surprise!
The greatest singer / actor of any generation, Bill Shatner has brought his Shakespeare stylings to many a great tune over the years. Two stand out in particular, the first being his take on the Bob Dylan classic "Mr Tambourine Man" containing the famous sudden ending of Shatner screaming ""MR TAMBOURINE MAANNNNN!!!". Loved this song so much I played it for a college audio lab class I was TA for to demonstrate excellence in sound recording. Later I would find out about his version of Elton John's famous 70's hit, arguably the definitive version (at least I'll argue it). Because I'm a Rock-Et-Ma-N. You can throw in "Lucy In The Sky With Diamonds" and those Priceline commercials while you're at it, any chance to hear the great one sing.
So if I'm around and one of these songs come on be afraid, be very afraid. Because I will enjoy them. Oh yes I will. Because as Shatner says in the above clip, everything I do I do it...for you.
Today is...what is it also called? All Hallows Eve? Anyway, for today I tried to think of a song that was scary. This was hard for me to do, maybe because I've grown up in the multimedia age, I don't find music scary even when it's trying to be. I couldn't find a scary song, but there was a song that I thought tried hard to be and was interesting in how far it would go to try to achieve this goal.
When I first started buying music, I was influenced somewhat by my younger neighbor also named Mike. He had a lot more music than I did and went through various phases. At first he worshipped Todd Rundgren because his older brother did, meaning I had to listen to a lot of Utopia which was OK but didn't really do it for me. Then he went into New Wave which was cool because I got to copy all of his The Police tapes, all five of them! He even went as far as Duran Duran for a second. After that he shifted to metal, first getting into KISS and then speed metal. While playing Strike Out in my front yard he would endlessly debate with himself: which band was heavier, Metallica or Slayer? Which leads to today's theme song for Halloween.
I had not heard of Slayer before my friend started playing them around me and while they weren't scary, I thought it took a sort of dementia to simulate speaking in tongues followed by an ominous voice saying "Hell Awaits". It was amusing to watch my friend copy the speaking in tongues part when there was no music playing, it really is something meant to be heard a capella. Then there was that album cover with presumably the fires of hell and spears piercing through corpses. On that same album was a song that was so "out there" I couldn't stop laughing, "Necrophiliac". Yes, it is exactly about what is in the title. When my friend would start singing the lyrics it was just too funny. Even now, 25 years later, the thought of this song brings a smile.
I was going to pick "Hell Awaits" for the Halloween song of the day but really, what could be better than "Necrophiliac"? A Halloween warning to all that click on the link below, the lyrics are graphic which of course makes it that much funnier to me. What a wicked holiday Halloween is.
A middle aged man's obsession with rock and roll with some movies, television and general stuff thrown in. The culmination of a lifetime spent accumulating useless knowledge and facts has gone into the making of this blog. The human adventure is just beginning!
Rankings on this blog are done with Dixie Dog barks, the more she barks the more she likes it. She usually barks on a scale of 1 to 10, but can go to 11 if she feels good!
Steven Tyler Leaves Aerosmith !?!
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No offense to Joe Perry, and the other guys....but imo, Steven Tyler IS
Aersosmith.
Here's the article from Live Daily
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