French New Wave and Ugetsu

Is it me, or is classic French New Wave cinema about finding innovative way to film losers? Any way, I recently watched two new wave classics, the 400 Blows (1959) by Francois Truffaut's and Breathless (1960) by Jean Luc Godard. Both movies are about delinquency, one at a childhood age and another at an adult age. Both movies depict the characters as living in an amoral world of confusion led by selfish drives. Both movies are about sticking it to the "man" on impulse. They're both good movies worth seeing, though I think age has taken away some of its groundbreaking appeal.

The 400 Blows follows the story of a young boy named Antoine Dionel who is the cinematic stand in for the director. Based on the director's own life, the movie depicts a boy who hates school and has a fractured home life. He shows an aptitude for doing the wrong thing and even his pure attempts at performing good deeds often turn on him. The movie gives a full, humanistic view of this character (well, who's going to make an autobiographical film and make themselves look like a jerk) and a heartfelt sensitivity comes across that is rare. The final shot of the film is classic and makes the movie worth seeing.

Breathless I found lived up to its reputation for greatness in its filmmaking style but also was somewhat bored by it. The story of a petty criminal who kills a policeman and becomes the laziest fugitive ever seemed a little silly. That the criminal would choose this time to start a relationship seems bizarre. But the movie sells these ideas well by depicting the lead character as a jaded fool who thinks he's clever. The camerawork is stunning, lots of shaky hand held camerawork and jumpcuts. It gives the story an immediacy and energy the movie desperately needs. The idea of two soulless searchers fumbling in their search for meaning without pontificating on it is surprisingly moving. As good as it was though, this movie really didn't grab me and I found myself favoring the 1983 remake with Richard Gere.

The 1983 version is a monumental piece of crap which amazes the viewer with how a group of people can be so committed to making a horrible movie. Richard Gere plays his character like a 13 year old, hooked on the music of Jerry Lee Lewis and reading Silver Surfer comic books. Poor ex model Valerie Kapiersky is terribly miscast as...well, she just shouldn't be allowed to act. In fact, I think she felt humiliated and quit acting after this movie came out. When gratuitous nudity is a movie's strong point, you know it can't be good. But, like witnessing a car accident, you end up watching just to see how bad it can get. It's also fun to compare the two movies.

On the non new wave front, I recently watched Tales of Ugetsu (1953). A Japanese film about greed in 16th Century Japan. Two brothers attempt to cash in on selling their pottery just before the invasion of an enemy force. The lengths and costs of their greed leads to disgrace and death (mainly for the women that love them). The first half of the movie is realistic and effective, a completely believable portrayal of greed with all of its negativity and appeal. I really enjoyed it until the second half, which becomes a ghost story.

Movies that switch tone in the middle often lose me. Sometimes, the trick can work such as David Lynch's Muholland Drive (2001). That movie stuck with me as a first class mind trip. But in other movies, I find it annoying., It's like saying, "remember the last hour you spent? Forget all that, cause it doesn't matter anyway." That's how I felt about Ugetsu. The ghost story does find another angle to drive it's point home (Dude, don't be greedy!) but the first half's realistic approach was so engaging I was sad to see it go.

2006 in review

Well, the year is almost over. In entertainment, it wasn't that big a year for me but the highlights that were there I enjoyed. In music, a lot of old timer (my era) groups released music and toured but not much happened with new artists. Movies were pretty dull this year, I spent a lot of the year watching older films. In television, I've found I'm starting to enjoy Sci-Fi shows a bit more (Battlestar Galactica and the reruns of Firefly) but animated series dominate what I watch now. I hope 2007 is a little better than this year, which was filled with some decent entertainment but not much stood out. Except my picks for the year of course, which are:

Music

Top 5 songs
1. "Life Wasted" by Pearl Jam
Pearl Jam wrote their best song in ages with this frantic rocker. For the first time in over a decade, PJ wrote a song with a hook and this tune stuck in my head all summer long. An inspiring and motivating rock song if there ever was one.
2. "Promiscuous" by Nelly Furtado featuring Timbaland
The "I'm Like A Bird" hippie reinvented herself as a club lovin' single gal on the catchiest song of the past year. It first showed up in phone commercials and then caught on from there. The tune reeks of 80's pop rap with the percussive beat, glossy synth lines and bass eq'ed male vocals. It even had a bit of storytelling with the male / female back and forth vocals of two single people looking for sex on their terms. Furtado's confessional rapping and Timbaland's "playa" attitude made for a lot of fun in 2006. Second best duet of '06: "Like We Never Loved At All" by Country couple Faith Hill and Tim McGraw. Get a hanky for that one.
3. "Woman" by Wolfmother
It's Led Zeppelin! No, it's Black Sabbath!! Wait, it's Deep Purple!!! Actually, it wasn't any of those bands but an Austrailian trio who mimics them. Wolfmother's "Woman" blasted out of stereos like it was 1973 this year with a hard charging guitar riff and howling rock god vocals. If Robert Plant hadn't been ripped off so many times before, he probably would have had an issue. No finesse or art is this one, just balls to the walls rock. Classic rock pastiche runner up: Hinder's Aerosmithian power ballad "Lips Of An Angel".
4. "King of Might Have Been" by Chicago
In high school I was a huge fan of Chicago mainly for their melodramatic ballads. Decades later, the venerable band proves you can never run out of syrup with yet another overblown power ballad. All of the band's hallmark moves are here: pleading vocals, rapid fire bass line changes, a synthesizer orchestra and dramatic horn breaks. It sounds like a formula for disaster, but instead the song proves some things stay great just the way they are. Second runner up for balladeer bombast: Meat Loaf's "It's All Coming Back To Me Now".
5. "Tell Me Baby" by Red Hot Chili Peppers
The Pepper's second single from Stadium Arcadium was their bounciest funk groove in years, a bopping tune laced with a soothing chorus. Just when it seemed like they would become new age adult contemporary, RHCP hit back with their funnest song since the 90's. The next best song for silly fun - "Hips Don't Lie" by Shakira and Wyclef Jean.

Top 5 Cds:
1. Matthew Sweet and Susanna Hoffs - Under The Covers Vol. 1
It seemed like an unlikely candidate for anything memorable when 90's one hit wonder Matthew Sweet ("Girlfriend") teamed up with 80's minor sex symbol Susanna Hoffs (The Bangles) to play the power pop songs they loved from the 60's. But the duo's love and considerable taste for the genre shines through on this 15 track disc. They cover Dylan ("It's All Over Now Baby Blue"), Young ("Cinnamon Girl" and "Everybody Knows This Is Nowhere"), Love ("Alone Again Or"), the Beatles, the Who...the list goes on. Through it all is tasteful production and strong vocals that pay tribute to the Summer of Love without getting stuck in it.
2. Tom Petty - Highway Companion
A couple of years ago I became a huge fan of Tom Petty after a decade of ignoring him. I was discouraged by 2004's concept album The Last DJ and was discouraged to hear there was a theme to Highway Companion (driving and aging). My fears were put to rest with this disc, a sturdy set of songs with Petty slightly echoing his past hits. The ZZ Topish "Saving Grace", Byrdsy "Flirting With Time" and the...well, Tom Pettyish "Big Weekend" & "Ankle Deep" were strong enough tunes to ensure multiple plays in my car.
3. Pearl Jam - Pearl Jam
They said it couldn't be done...Pearl Jam said that is. After deciding to consciously write the least catchiest songs possible nearly a decade ago, the band did away with their policy and wrote the hookiest hard rock songs they've done since their debut. Eddie Vedder rails against all authority and humans rights violations with the same passion and angst he held during the first Bush's Presidency. "World Wide Suicide" pulls no punches with it's anti war views while the slamming "Big Wave" will have you wondering if you accidentally left your Soundgarden CD in the player.
4. The Strokes - First Impressions of Earth
Technically a 2005 release, The Strokes third album saw them toss away the lo-fi vibe to their previous discs and replace it with punchy production and longer arrangements. "Fear of Sleep" was a personal favorite of mine with it's classic Strokes sound guitars and throbbing bass. The lead single "Juicebox" effectively recalled Franz Ferdinand while "Razorblade" pulled it's melody from Barry Manalow's "Mandy" of all things. If only they handn't chosen the dense, spidery "Heart In A Cage" as the second single bigger things might have come from this album.
5. Def Leppard - Yeah!
It was a tough call for this one. Bob Dylan's Modern Times was a strong disc as well and I already selected a covers album earlier. But I'm basing this list on what I played and Yeah! was the fifth most played CD for me in 2006. It helped that I saw them live this year as well. Focusing on the 70's glam rock that inspired them, Def Lep threw down their hardest rocking performance since Pyromania. The T Rex classic "Twentieth Century Boy" was a big favorite of mine. There are a few missteps, mainly a cover of the Kink's "Waterloo Sunset" with all the whimsy sucked out of it. Covers of Sweet, Bowie and Badfinger all hit hard and strongly bear the Def Leppard stamp. Even a cover of Michael Essex's "Rock On", a song I personally hate, can't stop me from listening to Def Lep.

Movies
1. Casino Royale
James Bond returned with an actual storyline and gritty attitude in Casino Royale, the most grounded Bond film since...From Russia With Love (it can be argued that For Your Eyes Only and On Her Majesty's Secret Service get close). New Bond Daniel Craig brings a newfound ruthless aggression to the role of the well known superspy. Movie of the year.
2. Little Miss Sunshine
Family road comedies arrive a couple of times a year, but few have any real heart. Little Miss Sunshine is all about having heart in the face of imminent disaster and is one of the few films of honest emotion I saw this year.
3. Akeelah and the Bee
It seems a bit like an afterschool special, but this heartwarming film about an inner city girl studying like Rocky for a spelling bee is truly inspiring and effective. Lawrence "Morpheus" Fishburne excels as the spellling bee coach and the lead actress whose name I can't remember is entirely believable as an intellectually earnest yet street hardened young girl. A little sappy and predicatble, but emotionally affecting.
4. X-Men 3
It says a lot that this is number 4, because this is not a great movie. It's an OK movie. Comic book violence and more Mutants than you can shake an adamantium claw at mark Brett Ratner's entry in the trilogy.
5. Mission Impossible 3
Tom Crazy-I mean Cruise, released his third Mission Impossible movie that for the first hour or so is the best MI you've ever seen. Big stunts, double crosses and micro technology abound in a big spy game swirl until you get to the end. The ending is so unbelievably sappy and unreal that it drains the credibility established by the first half leaving you entertained but disappointed.

Television
1. Family Guy
Freakin' sweet! Peter Griffin and his nutty family returned from cancellation with a vengence. A comedy that shamelessly slaughters all sacred cows with no compunction or remorse is something to marvel at and Family Guy is that comedy. Even better, the show has caught on with a mass audience to ensure a few more years of yuks from the most tasteless, thoughtless humor around.
2. Star Trek
The classic series got the George Lucas treatment with a remastered picture and new digital special effects. What's better than Star Wars is the fact that no major plot points were harmed in the remaking of these episodes. Now, with new digital effects you can see the Enterprise orbit a planet while Kirk shakes his hands and yells "Khaaannnn!" Wait, that didn't happen until the movies. Well, you get the point.
3. As Time Goes By
Veteran actors Judi Dench and Geoffrey Palmer have a December-December romance in the reruns of this British comedy. A sense of character and true wit engages the viewer in this genial show. Dench and Palmer play a middle age couple who split on bad terms during the Korean War. A show with this much warmth and class is something rare, As Time Goes By is a fun and relaxing show.
4. Gokusen
The Japanese anime series about a high school teacher with a Yakuza background is a blast with it's bizarre tone about honor and compassion. Teacher Yakumi can barely conceal her Underworld bloodlust while teaching teenagers about life and mathematics. Big fun!
5. WWE Raw
Pro Wrestling's number 1 show continues on with reduced expectations. Fewer name wrestlers playing to smaller crowds would be enough to make some shows stop, but WWE Raw flies in the face of public opinion by getting back to basics. A mix of classic wrestling angles, Raw now features long time name wrestlers fighting in between cheesy interviews and big stunts.

Now, 2006 comes to a close. I didn't get the Who or Eric Clapton's CD's, so I can't include them in this review. Still, Christmas is coming soon and more reviews will follow. Until then, have a Happy Holidays!

Aerosmith in concert

Last Sunday, I saw Aerosmith live for the first time. It was a terrific show, the band gave a lively performance with great stage effects at the Arco Arena in Sacramento CA. My memory may not be perfect but I believe the set list was:

Toys in the Attic / Walkin' The Dog / Love In An Elevator / Cryin' / What It Takes / Baby Please Don't Go / Stop Messin' Around / Seasons Of Wither / Dream On / Train Kept A Rollin' / Last Child / Sweet Emotion / Draw The Line

Encore: Walk This Way

I became a fan of Aerosmith during their comeback in the late 80's, though I always liked "Sweet Emotion". This was a great concert to go to although the set list was really short for a show they were headlining. Most of this tour has been split as co-headliners with Motley Crue which is why they have been performing a half set. As headliners, it would have been nice to have a fuller set especially since many hits are missing ("Dude Looks Like A Lady", "Janie's Got A Gun", "Living On The Edge" and "Mama Kin" just to name a few). Still, I cut these guys a little slack as they are getting up there in age. Besides, what they did play they performed with gusto.

The opening act was Hinder, that new band with the Aerosmith sounding power ballad called "Lips Of An Angel". Hinder tried hard to rock out but were hampered by mostly undestinguished songwriting. Very little stood out until they played their hit. Still, their energy caught a lot of support from the audience. For me, it pretty much sold me on skipping their CD.

Aerosmith's set began with a personal favorite of mine, "Toys in the Attic". The band blazed through this song as Tyler ran the various ramps of the stage and posed for the video cameras. The second song was a surprise pick, a cover of "Walkin' The Dog" with a great video of drummer Joey Kramer panting in close up. The favorites kept coming as "Love In An Elevator" was played with a great deal of crowd participation, particularly on the "Oh-Yeah!" parts of the verses.

The ballads "Cryin'" and "What it Takes" were played with only a few changes from their previous versions. Tyler mouthed "Your love is sweet f*ckin' misery" during "Cryin'". "What it Takes" was played half a-capella as it is on the "A Little South Of Sanity" live CD. My wife really got into "What it Takes" and sounded great singing it.

A blues cover portion came up with a lively cover of Van Morrison's "Baby Please Don't Go" and a Joe Perry lead vocal on Fleetwood Mac's "Stop Messing Around".

The next set of ballads were particularly stagy. "Seasons Of Wither" featured both fake and digital snow falling during the song and some terrific acoustic guitar from Joe Perry. "Dream On" is not my favorite song, but I got into the dramatic ending which included Tyler turning into a burning man on the video screen.

A barn burning cover of the Yardbirds "Train Kept A Rollin" brought the pace back up. A wonderfully funky "Last Child" followed. "Sweet Emotion" was dragged out to good effect, particularly the 70's styled middle section where Joe Perry stood under a triangular laser light slamming his guitar against a mic stand while throwing glitter in the air. "Draw the Line" started off strong but the band seemed to get lost half way through the song. They pulled it together for the finish as my wife and I left the arena.

I heard the beginning of the encore "Walk This Way" which included a brief bit of the James Bond theme.

This was the last show of Aerosmith's tour. It seemed like they may have shot a video as the camera work and video effects were extrememly professional. Also, Tyler sang to the cameras often and spent a portion of the show singing with his back to the audience. Guitarists Joe Perry and Brad Whitford were both on top of their games. Bassist David Hull did an admirable job of filling in for Cancer striken Tom Hamilton, even including a bit of Led Zep's "Kashmir" into the bass solo. Drummer Joey Kramer was in fine form though he seemed to lose a step with age.

The Arco Arena lived up to its nickname "Echo Arena" but overall the show was a blast.
Just wish it was a longer show.