A Foreigner's Journey Into The Night

Last nite got to see the all killer no filler triple bill of Night Ranger, Foreigner and Journey at the Sleep Train Pavilion. It had been raining hard and often over the past few days, but last night there was no rain. The show had a start time of 7pm, the pavilion was still sparsely populated when Night Ranger promptly took the stage.

Night Ranger set list:
Lay It On Me / Sing Me Away / High Enough / When You Close Your Eyes / Don't Tell Me You Love Me / Sister Christian / (You Can Still) Rock In America

Night Ranger opened with a heavy rock track from their recent Somewhere In Californa disc "Lay It On Me" which was a brilliant choice considering the crowd's hit heavy mood. Throw the new song on at the start before the audience has time to realize they don't recognize it! As bassist/vocalist Jack Blades, guitarist Brad Gillis and more recent addition guitarist Joel Hoekstra scampered, spun and tandem posed for the fans it became clear Night Ranger still worked a high energy attack. At least for guys their age.

Jack Blades made clear the Bay Area roots of the band while mentioning the last time they played this venue was in 1987 when they headlined with opening act Tesla (funny enough that was the last time I saw Night Ranger). This led to an enjoyable run through their early pop rocker "Sing Me Away". Then Blades said he was on the phone with Tommy Shaw the other day and Shaw insisted Night Ranger play Damn Yankee's power ballad smash "High Enough". Although I liked Gillis' guitar solo (it was great and nothing like Ted Nugent's original) the fact is that the song needs a high pitched singer like Shaw to pull it off. And it seemed kinda lame to include "High Enough" when Night Ranger had all those hits from the 7 Wishes record that wasn't played at all (including the Top 10 "Sentimental Street"). But they played it. Oh well...

Blades reminisced more about when Night Ranger played Day On The Green supporting Journey in '83 before bouncing into "When You Close Your Eyes".

It was time to rock again as Night Ranger barn stormed through their classic "Don't Tell Me You Love Me". Guitarist Joel Hoekstra started to wow me at this point with his blazing playing and easy camaraderie with Gillis. Blades told everyone they would be singing along a lot this evening and worked a little bit of The Eagles' "Hotel California" in the middle of "Don't tell Me You Love Me". Drummer Kelly Keagy got to walk out from behind his kit for a little - singing lead on that other power ballad classic "Sister Christian". That definitely got the sing along crowd, um, motorin, so the band broke out the red, white and blue guitars for "(You Can Still) Rock In America". Couldn't have been happier hearing Night Ranger dish out their best jams in rapid succession.

True to their rep, Night Ranger delivered a great set. Yet their opening act status meant no encore. Bummer.

After the normal stage reset for the next band on the bill, Foreigner jumped on stage. A lot of the audience had arrived by now and were ready to rock.

Foreigner set list:
Double Vision / Head Games / Cold As Ice / Waiting For A Girl Like You / Dirty White Boy / Feels Like The First Time / Urgent / I Want To Know What Love Is / Hot Blooded
encore: Juke Box Hero

I had read online that band leader and only remaining original member Mick Jones had not been touring due to his health. This meant a serious shortage of star power for Foreigner as both Night Ranger and Journey boasts three originals (defining original as being from the 80s lineups of these bands not necessarily founding members) to Foreigner's none. Zero. Zilch. Not even an original bass player (though ex-Dokken bassist Jeff Pilson is always great). The responsibility for driving this whole thing rested squarely on vocalist Kelly Hansen's shoulders.

Now lucky for me I saw Foreigner last year, so this time around I was prepared for Hansen's Steven Tyler stage presence and adapted to it easier. And I have to say Hansen pulled it off, leading the band with energy and powerful vocals. Even when Hansen's mic cut out during "Dirty White Boy" he handled it like a pro, going to the side of the stage to trade out mics and then picking up where he left off in the verse. Equally impressive, on one of the fast songs (don't remember which) Hansen sang a verse section while running a lap around the inner seating section without getting winded.

Foreigner also had the best staged show out of the three. Their usage of the background video screen was impressive with flashing lights and dynamic use of colors (except of "Juke Box Hero" where they decided to employ computer graphics from 1993 to show people with stars in their eyes). The dizzying box images on "Head Games" or the flames for "Hot Blooded" really got me. And for "I Want To Know What Love Is" the group brought out a local choir to handle the background vocals.

It was because of these factors that Foreigner got over the most with the audience. By the end of the set it was nearly a packed house (save the row in front of us, more on that in a minute) who were all kinds of Foreigner crazy. For me, the lack of original members of any kind was noticeable (I've seen Foreigner in '85, '99 and 2010) so while the performance was good it was hard to shake that tribute band feeling (maybe if they played something off Can't Slow Down it might have felt less that way). But I didn't feel like anyone else noticed, or maybe just didn't care. Thought it was funny some in the audience were bemoaning the lack of Steve Perry with Journey but nobody missed Lou Gramm. Why no love for Lou?

Another stage redress and Journey were on their way!

Journey set list:
Separate Ways / Ask The Lonely / Send Her My Love / City Of Hope - Only The Young / Faithfully / Guitar Solo / Stone In Love / Escape / Lights / Wheel In The Sky / Keyboard Solo / Open Arms / La Do Da / Be Good To Yourself / Lovin' Touchin Squeezin
encore: Any Way You Want It / Don't Stop Believin'

"Separate Ways" always makes a good set opener as Journey split the cool night air with that familiar synth intro. Guitarist Neal Schon literally kicked things off with a kick to the sky. Singer Arnel Pineda hit the stage and was still in good voice (although some of his high notes were boosted with an echo effect). They kept things rolling with an excellent take on "Ask The Lonely" as bassist Ross Valory mugged for the camera.

A nice set list surprise with the quiet ballad "Send Her My Love", it's been so long since I've heard it live I didn't recognize it at first. Pineda dug into the haunted sentiments and displayed an open sensitivity not seen since the Perry days. It was the musical high point of the evening for me.

Keyboardist Jon Cain addressed the crowd and did the usual "Are you ready to rock?!" stage patter garnering a strong audience response until he asked if we were ready to hear some new music. Think I heard some crickets chirping after Cain asked that question. "City Of Hope" was introduced as being about Manila in the Philippines, it's a pretty good song. Too bad the audience wouldn't even do the "tolerate the one new song" courtesy most bands get, they were stone dead silent throughout save for a guy two seats down from me booing. It was like watching a band perform in a vacuum. Journey must be getting this reaction a lot because "City Of Hope" cuts into "Only The Young" without a break in between.

Pineda got the lead vocal nod on "Faithfully" which was nice, I was expecting the mic to pass to drummer Deen Castronovo (who sounds more like Steve Perry than anybody) at this point. In fact Castronovo got no lead vocals this show, the first time I can remember that happening since...Arrival tour? It was good to see the vocals center on one guy again.

Neal Schon's guitar solo I can't recall exactly where it was in the set so I'm guessing it was here. It was as spectacular as always. "Stone In Love" amped up the fans, Castronovo's ability to beat the hell out of his drums really came across here. Also Arnel Pineda's familiarity with the material from touring is paying off as he came across earnestly during the all important "I've got dreams I'm livin' for" segment of "Escape".

"Lights" got the audience swooning in a waving sea of cell phones and bic lighters (I guess the stoners were good for something after all) before they crushed "Wheel In The Sky". Schon freshened up that charged guitar riff he kicks into towards the end and Cain showed off some likeably sloppy harmonica adding a bluesy charm.

Jon Cain then handed in a marvelous piano solo, probably the most extravagantly classical keys solo I've heard since Rick Wakeman. Predictably this led into "Open Arms".

Journey then blew my mind by pulling out one of my all time favorite songs of theirs that I've never heard from them live, "La Do Freakin Da". Well, really "La Do Da". This is late 70s rock at it's face melting best. Then it was back to the "dirty dozen" with "Be Good To Yourself" which was memorable because someone distracted Arnel Pineda to the point he missed the start of the second verse. I think he was laughing at someone in the front rows. Though it was technically a goof, the humor added to the positive messaging of the song.

"Lovin Touchin Squeezin" closed out the main set, a song I recently found out was inspired by a Sam Cooke song (thank you wikipedia). Just a bit of trivia I never knew. Na na na na boo boo, stick your head in doo doo.

I make it a point to leave before the final encore to beat the traffic. There was some opening guitar parts that sounded like the start to "Lay It Down" before they snapped into "Any Way You Want It". I heard that and "Don't Stop Believin" on the way to the parking lot. From the crowd noise those two went over big and sounded great.

Night Ranger rating:


Foreigner rating:


Journey rating:

You Really Can Still Rock In America

To a smaller audience, but yes you can. A few weeks ago I got the most recent album from Night Ranger, a Bay Area band I've been a fan of since their debut Dawn Patrol way back in 1982-83. After a three album hot streak of killer rock and flick your bic power ballads the band seemed to lose direction - going all synthesizer, then firing the keyboard player, then turning into a power trio before doing the whole reunion thing in the 90s. Despite their best efforts, Night Ranger was not able to recapture that spark they had early on - they rocked yet lacked that hyper adrenaline manic edge of their early days. I thought maybe that edge could only be captured in the studio by the late producer Pat Glasser since he handled the first three albums. When last we saw our "Sister Christian" heroes, they were searching for a new sound that would fit in with the 21st Century. The guitars were lower (think the term is "downtuned"?) and an emphasis on alt rock style melodies dominated Hole In The Sun. Sun turned off the fan base and the quick dismissal of long time axe slinger Jeff Watson didn't help.

So here we are in 2011 and Night Ranger is making a 180 from Hole In The Sun. They're going back to the 80's - the early 80's, to recapture their original sound. And unlike so many bands who have done this same maneuver only to prove you can't go home again, Night Ranger pulls it off on their new disc Somewhere In California. Those high flying choruses, barrelling grooves and twin guitar attack have sting again. Rockers like "Growin Up In California", "Bye Bye Baby" and "Rock And Roll Tonite" are dazzling spectacles of AOR perfection. When the band hits that guitar solo build up part of "Lay It On Me" I'm in rock heaven. And the power ballad quota is met with the decent "Time Of Our Lives". Somewhere In California front loads the best songs in the first half, the second half is good but not as memorable (save "Tonite" and a rampaging cover of AC/DC's "Dirty Deeds Done Dirt Cheap" as a bonus track). This disc shows off a revitalized band who I hope to see live tomorrow (weather permitting).

rating:

Double Shot Time

Time for a double shot of two recent songs made by bands I loved in the 80s.

First up, Whitesnake. I saw them live for the first time a few years back and it was awesome. And just in time, shortly afterwards David Coverdale had to cancel the tour to take care of his voice. Now the lead snake has slithered back to hear the wolf howl on "Love Will Set You Free" from the album Forevermore.



Next, Nor Cal rockers Night Ranger ditch their wanna be alt rock / nu metal ways of their last disc to go back to their Midnight Madness sound. Plus, they've managed to snag a guitarist and keyboardist who play and sorta look like the missing original members(though what I've heard of guitarist Joel Hoekstra's playing is good enough to stand on its own). The result is an effective time travel back to '84 on "Growin Up In California" taken from the upcoming album Somewhere In California.

Mr Mike Project 1984

Game, Set and Match: The future Mrs. McEnroe transforms into a Kabuki looking super heroine armed with fingers that can shoot walls of heartache.

In 1984 MTV became the undisputed center of the music world and three things happened to AOR as a result: First, the channel pushed a lot of L.A. Pop Metal in the wake of Quiet Riot's success leading to a lot of exposure for bands from the Sunset Strip. Second, established AOR bands saw a lot singers either get pushed to the forefront or make solo albums to become full on "stars" in their own right. You ended up with lengthy titles like Scandal featuring Patty Smyth, leaving no secret who the star of the show was regardless of the band name. Third, AOR started to become more homogenized as outside songwriters like Holly Knight ("Better Be Good To Me", "Never", "The Warrior") became standard issue to aspiring pop rockers. Because of this I tend to think of '84 as the Star Search year or Go Solo. Here's my two CDs for 1984.

Disc 1:

Russ Ballard - Voices

The erstwhile songwriter (Santana's "Winning") recorded some stuff of his own, including this track that became a minor hit following heavy exposure on Miami Vice.

The Firm - Radioactive

Jimmy Page + Paul Rodgers should equal greatness, yet all they could muster was one memorable song. I guess the name Bad Zeppelin would have been too definitive.

Motley Crue -Looks That Kill

The kings of the lipstick and leather crowd, Motley Crue first hinted at Satanic danger on their second record led by this lethal dose of Pop Metal.

Arc Angel - Tragedy

Really from 1983, Arc Angel (not to be confused with the post Double Trouble band) pushed themselves to the bottom rung of the charts with this nice ditty.

Ratt - Round and Round

Few mastered the "street urchin" look (bright colored torn clothing, fishnet and poodle hair) like Ratt did and for four minutes they were in hook city with this winner. And every guy air guitared that Warren DeMartini guitar solo and then mimicked the finger pointing straight up on the part where Robbin Crosby takes over.

Gary Moore - Empty Rooms

Back in the day, my neighbor friend used to tape records for me and put a Gary Moore album on the B side of each cassette in an effort to make me a fan. All these years I'm still not a fan, but this song is good.

Honeymoon Suite - New Girl Now

Another artist to gain a lot of exposure via Miami Vice, this Canuck quintet hit pay dirt with this synth backed hard rock anthem.

The Cars - Drive

Talk about a no brainer of a song title, Ben Orr's lovely ballad was a monster hit.

Black n Blue - Hold on to 18

I often regarded this band as a sort of pleasant joke, hard to believe when they started out they actually rocked pretty hard. Probably should have included later material from them when they were more plastic.

Stone Fury - Break Down The Wall

In the Reagan era everyone wanted to break down walls. Lenny Wolf was no exception, rockin it a few years before Kingdom Come.

Utopia - Crybaby

Todd Rundgren's prog rock dream child turned in a decent Pop Rocker with a classic Runt style swaying chorus.

Autograph - Turn Up the Radio

Another band that caused some name confusion (The Russian band of the same name was featured during Live Aid) distinguished itself with a tall ass lead singer and a drummer that defines 80's music vid posturing.

Yes - Owner of a Lonely Heart

The song that started a way of life for me as a Yes fan, spiffy Trevor Horn production puts a nice shine on Trevor Rabin's pop rock glory.

Orion the Hunter - So You Ran

Guitarist Barry Goudreau strikes, filling the Boston void with his version of the beantown AOR band. And he does a real fine job of it here. Would you believe the singer's name is Fran Cosmo?

Steve Perry - Oh Sherrie

The Journey singer proves he doesn't need anyone else to find success on this ode to his then girlfriend. Although he would record two more Journey albums, Steve Perry's solo hits marked the end of an era for me. Journey was never the same afterwards. Doesn't change the fact that this song rules!

Tommy Shaw - Girls with Guns

The Styx axe slinger escapes Mr. Roboto land and turns in his most upbeat song...ever? Zippy synths and slammin drums power this track about - you know what it's about.

Scorpions - Rock You Like a Hurricane

Every sports program and half time show owes a debt to the German metal band's best known song, one of the greatest Pop Metal songs ever. Here I am!

John Waite - Missing You

After dismissing Jon Cain's "Open Arms" as too syrupy, the ex-Baby's singer lets out a ballad of his own backed by a track made for school dance remixes.

Disc 2:

Van Halen - Jump

Eddie Van Halen adds more synthesizer to their antics and David Lee Roth finds inspiration in suicide jumpers leading to the band's biggest pop hit.

LRB- Playing to Win

The Aussie Country rockers drop the Country and most of the letters in their name (Little River Band) putting manic keyboards in its place. Freakin' love this cheesy song.

Whitesnake - Slow and Easy

Proof that before David Coverdale was ripping off Led Zep he was...ripping off Led Zep. But few have done it better then or now.

Sammy Hagar - I Can't Drive 55

This seems less rebellious now that the speed limit is 65, at the time this was probably the biggest protest song of the 80's. Sure other generations protested wars, social injustices and what not but we, we protested the speed limit. Take that!

Giuffria - Call to the Heart

One of the great unsung AOR bands led by keyboardist Gregg Giuffria (ex-Angel). They were the minor leagues of AOR with ex band members later going to Quiet Riot, Dio and Boston.

Dennis DeYoung - Desert Moon

Now free of Tommy Shaw, nobody could stop DeYoung from going full on Broadway or his sappy love songs. This led to one of DeYoung's best ballads, the reverie of "Desert Moon".

Bryan Adams - Summer of 69

In the 90's Adams revealed this song was not about the year '69 but the sexual position. And if anyone wants to imagine his pockmarked craggy mug between some girl's legs all I can say is Nasty!

ZZ Top - Legs

The Texas trio found a stream of never ending gold with this cut. Long beards, spinning guitars and Playboy models made this simple yet effective rocker easy to swallow.

Foreigner - I Want to Know what Love Is

For better or worse, Mick Jones and Lou Gramm turn the corner from rock band to balladeers with this unforgettable #1 smash. The gospel choir puts magic in this slow moving inspirational track.

Night Ranger - Sister Christian

Soaring guitars, bic lighter choruses about "motoring" and earnest vocals mark one of the definitive power ballads of the decade. Or if you watch Boogie Nights, great background music for drug dealers.

Slade - Run Runaway

Quiet Riot's cover of their "Cum On Feel The Noize" brought this British glam rock band back for one more round of goofy fun.

Twisted Sister - We're Not Gonna Take It

Speaking of goofy fun, Dee Snider's costumed metal band summed up media inspired teen rebellion with a classic vid clip placing them against the bad guy from Animal House. Between this and Sammy Hagar, teen rebellion seemed so canned back then.

Scandal featuring Patty Smyth - The Warrior

Or if you go with Smyth's New Yawk enunciation, "The War-Re-Uh", shootin up them walls of heartache. Bang! Bang! I remember a friend of a friend gettin' pissed off whenever this song came on, he considered it the dumbest song ever. Good times (I didn't care for that guy).

Van Stephenson - Modern Day Delilah

Sleek pop rock that makes me want to cruise L.A. at one AM. Don't ask me why.

Survivor - I Can't Hold Back

Two of the greatest voices in AOR, Jimi Jamison and Starship's Mickey Thomas, combine on one of the Chicago band's best songs. And that music video was pure Risky Business.

John Cafferty and the Beaver Brown Band - On The Dark Side

Bruce Springsteen's chief acolyte came up with a strong Boss pastiche. Michael Pare', where are you now?

Toto - Stranger in Town

"Stranger in Town" has been sort of shunned by the band after its release rarely making Greatest Hits or Best of comps despite the fact that it charted. Sure it's a silly song with boogie man vocals and a lyrical theme that makes no sense on the surface other than bizarre xenophobia. But still, it charted (it hit like #30 on the pop charts or something like that).

John Parr - Naughty Naughty

You know what really sold me on this song? When they used it for commercials in a vampire movie called Near Dark. Something about that advertisement really got the rhythm hook jammed in my brain and I haven't forgot it ever since.

And that was 1984. Next we go to the heart of the 80's, 1985!

Mr. Mike Project 1983

Make way for the New Wave! Arena rock bands were suddenly faced with obsolescence as MTV changed the rules from regular looking people to fancy hair cuts and costumes.

1983, MTV started to take hold. Music Videos began to break new acts left and right, particularly in the New Wave field. This took its toll on the established Arena rockers as they had made their name on live concert experiences more than having a photogenic look. Arena rock bands ran to the cameras for their closeups to compete with A Flock of Seagulls but ultimately could not translate their live appeal to video. The fact of the matter was that many of these guys weren't what would be called "pretty" and in 1983 looks mattered a lot more. As a result, '83 became the last gasp of true Arena rock. The regular guy look was out, glitz and glamour was in.

So my picks for my Arena rock songs of '83?

Disc 1:

Kansas - Fight Fire With Fire

John Elefante takes over for Steve Walsh on vocals and let's out a wail over a pounding riff as a giant mosquito bites his neck. One of the first records I ever bought. I used to get a lot of crap from my friend because it wasn't Metallica.

38 Special - If I'd Been The One

The video where the first Mrs. Springsteen shoots the singer and then drives off while the horses run free. A song where 38 asks a lot of "what if's", like what if I'd been the one to say goodbye, the one that makes you want to cry, the one that never fades away...dude, get over it!

Sweet Comfort Band - Don't Bother Me

Trying to be a completest here so despite my personal lack of spirituality I couldn't completely ignore Christian rock's contributions to the Arena rock genre. So I picked the most secular song I could find by a Christian rock band.

Manfred Mann's Earth Band - Runner

The 80's had these awesome synth rockers that were meant to sound futuristic and cool like this one. Would go great with a Logan's Run montage.

The Tubes - She's A Beauty

Maybe the most clean cut sounding song about a strip joint ever. In the video, I still can't believe what they got away with what's painted on the door the amusement park cart goes through towards the start.

Tony Carey - I Won't Be Home Tonight

Ex-Rainbow keyboardist strikes out on his own with a solid chunk of pop rock. And that's all I got here.

Genesis - That's All

Phil Collin's balladeer instincts began to kick in here though the group is clever enough to dress it up in an upbeat keyboard bit and tasteful guitars.

Vandenberg - Burning Heart

Flick your bic for a mighty fine power ballad courtesy of Adrian Vandenberg. This guy just has a name that is born to rock. Say it - Van Den Berg!

Def Leppard - Rock of Ages

The prime purveyors of Pop Metal get downright biblical on their hard rock stomper and introduce an unforgettable catchphrase to a generation - unta gleebin glossen globen.

Charilie - It's Inevitable

A song made for video arcades and miniature golf, this sounds awesome when you're trying to sink that last hole for a free game.

Eric Martin Band - Sucker For A Pretty Face

One of my favorite records back in the day, EMB aka 415 kicked out this blazin' ode to guys in Izod shirts with their collars up gettin' used by beautiful girls.

Billy Squier - Rock Me Tonite

The last of Squier's big run, of the Arena rockers to fail to transition to the video age few crashed harder than Squier. His fey dancing and rolling around in this clip has been cited as the killer of his career.

Alcatrazz - Hiroshima Mon Amour

Another Rainbow alumni, singer Graham Bonnet brought in guitar phenom Yngwie Malmsteen to burn up the fret boards like an A bomb.

Queen - Radio Ga Ga

Faced with the growing popularity of a medium they helped perpetuate, Queen takes on the music video era with a tribute to radio.

Night Ranger - Don't Tell Me You Love Me

Twin guitar fury hits like a locomotive. Night Ranger arrives on the scene guns blazing and Brad Gillis' whamming.

Journey - Faithfully

While "Open Arms" broke new ground for the Bay Area band's power balladry, "Faithfully" was the one that put the patent on it.

Dan Fogelberg - The Language of Love

Mr. Sensitive longer than same old lang syne dropped the misty eyed sentimentality for a second to find his inner cow bell.

Saga - On The Loose

More proof that Canada rocks, the Proggy Arena rockers lay down a thunderous groove for spinny keyboards and guitars to dance over.

Disc 2:

Def Leppard - Photograph

One of the first groups to really benefit from MTV exposure, the Lep unleash a butt load of hooks from the opening guitar riff to the "Oh!" chants to the cushy synths under the chorus to rock you in your living room.

I Ten - Alone

Songwriters Billy Steinberg and Tom Kelly originally performed what would become a power ballad standard following Heart's remake in 1987.

Chris DeBurgh - Don't Pay the Ferryman

Before that whole "Lady in Red" thing, DeBurgh was a pop rocker with a dramatic flair.

Randy Newman - I Love L.A.

Sublime songwriter that he is, Newman went AOR in the early 80's penning one of the top rock anthems of the decade. The song became shorthand for the decadent feel good consumerism of the time.

Kiss - Lick it Up

The make up came off in '83, revealing...four pretty ugly dudes. Yet the trick worked, Kiss successfully switched from fading glam metal to hair band in a snap.

Bon Jovi - Runaway

Jon Bon Jovi makes his mark as a Foreigner styled rocker a few years before making the jump to premier hair band status.

Zebra - Who's Behind the Door?

One of the great forgotten power trios of 80's rock, Zebra mashed up Rush and Zep into a compelling sound.

Taxxi - I'm Leaving

Occasionally British bands would forget their from England and take a wholly American character. Point in case: Taxxi.

LeRoux - Carrie's Gone

Could vocalist Fergie Frederiksen be denied a spot on my CDs? Hell no!

Quiet Riot - Cum On Feel The Noize

The "Smells Like Teen Spirit" of the 80's, Quiet Riot's successful streamlining of a Slade classic ushered in the hair band era in an explosion of hair spray and spandex.

Toto - Africa

Showing the softer side of Arena rock, Toto gets mythical about "blessing the rains down in Africa" giving karaoke singers in the low vocal range something to shout about.

Journey - Separate Ways (Worlds Apart)

Own up to it, you would look for docks and warehouses to jump around in and do that grabbing the wrist of your shaking fist with your other hand thing for the "break those chains that bind you" part. Or maybe it was just me.

Michael Bolton - Fools Game

In one of his previous lives, Michael Bolton was a super cheesy rocker who oversang all over his backing track. As opposed to a super cheesy R&B crooner who oversang all over his backing track.

Asia - Don't Cry

The Fab Four of Prog rock score one more Top 10 hit before ego battling each other to the bitter end. And then coming back again two decades later.

Pat Benatar - Love is a Battlefield

You know, at the time "Hit Me With Your Best Shot" was her signature tune but now it's been supplanted by this one. Because taxi dancers need love too.

Loverboy - Hot Girls in Love

Did you ever notice in this video that the girl wasn't particularly hot? Or that the drummer was playing the drums with gas pumps? Or that no one was in love?

707 - Megaforce

Singer Kevin Chalfant strikes in this brilliant theme song to a craptacular movie about a military unit that rides rocket launching flying motorcycles and dune buggys. My younger brother loved this movie so of course I had to make fun of it, often referring to it as "Megafake".

Styx - Mr. Roboto

Japanese lessons courtesy of Dennis DeYoung, the song has become a kitsch classic that still gets referenced today. Even the Japanese guy who won an Oscar last week said "Domo Arigato Mr Roboto."

That's it for 1983, MTV makes an even greater impact on the next round. See you in 1984.

Turkey Shoot - The Top 10 Most Disappointing Songs

I missed posting on Thanksgiving, had a delicious dinner at my parents place. So my Thanksgiving post is a day late, with Turkey's being the key symbol of this Holiday I thought it would be a good time to do a Top 10 Turkey Songs. These aren't songs about...haven't you heard? I said HAVEN'T YOU HEARD? About the Bird? Bird Bird Bird, Bird is a Word...

Anyway, these are the 10 most disappointingly bad songs I've heard. They feature a lot of my favorite artists because it's harder to be disappointed in a musical act you don't have much of an interest in anyway. So here it is, the Ten most disappointing songs I've heard...Ten Turkeys- songs that should have been left overs. Pulled from the refrigerator, unwrapped from its protective foil and thrown out in the street. Somebody get the gravy!

10. Night Ranger - The Secret of My Success (1987)

The Bay Area rockers were on a roll with Top 10 hits and Platinum albums by the mid 80's. What could be better? How about a movie soundtrack theme for the latest Michael J Fox movie, co written and Produced by the inimitable David Foster? This is a plan that can't go wrong. The power of Night Ranger, the super slick sonics of David Foster and the likability of Michael J Fox all rolled into one. A Perfect Storm of marketing synergy. Depressingly, that's exactly what it sounds like- a marketing plan brought to life. Foster's Chicagoisms of synth horns, mannered guitar work and busy instrumentation didn't mesh well with Night Ranger's free wheeling high speed rawk. Unsurprisingly, Night Ranger saw their commercial fortunes slide after this song.

9. Cheap Trick - Woke Up With A Monster (1993)

By the late 80's / early 90's the Tricksters had been all over the map stylistically. When they got to "Woke Up With A Monster", the group seemed tired. It was like they were trying to work up some whimsy but only had enough juice to sound mean. Thankfully, shortly after Alternative Rock bands began citing Cheap Trick as an influence-buying them some much needed credibility.

8. Styx - Music Time (1984)

Styx was near the end of their initial run and to cap it they released a double live album, Caught in the Act. The record came with one new studio track, "Music Time". I was so excited, I was getting a live record by one of my favorite groups plus a new song. Then I actually heard the record. "Music Time" took all of the annoying excesses that ringleader Dennis DeYoung could muster and slammed it into a four minute tune. All the dorky Broadway jazz hands crap that DeYoung had in him to a cheap synth riff unchecked by anything. Seee it. Liiikke it. Loooovve it. DoitDoitDoitDoit. Waannt it. Neeedd it. Can't get enough of it! All the wayyyy!

7. Steve Perry - I Am (1994)

Can "The Voice" really do wrong? After hearing this track, the answer is Yes. The song is supposed to convey a sense of hard won maturity but instead it comes off as turgid and self indulgent. A torpid pace sinks any chance "I Am" has of winning me over, one of the few songs to be graced by Perry's voice that I just can't stand. It's like watching a bad episode of Dr Phil where a guy can't stop bleeding his heart out.

6. Boston - Corporate America (2004)

I like everything Boston, even this song I like in a so-bad-it-becomes-kinda-good way. Many an Arena Rock band has made the mistake of thinking a cheap, anxious synth line sounds good. Although this was recorded in the 21st Century, the overworked keyboards immediately dates the track as early 80's to the point that the rampaging guitars in the chorus isn't enough to ramp up interest. To top it off, Boston leader Tom Scholz stacks the deck with awful lyrics decrying the evils of large corporations. Look Out! Look Out!

5. Chicago - Bigger Than Elvis (1993/2008)

When Jason Scheff replaced Peter Cetera in 1985, Scheff was recognizably different in his approach though many did not notice. Jason Scheff had a more winsome style that could get more than a little sentimental. But until the recently released Stone of Sisyphus disc I had no idea how sentimental. On "Elvis", Scheff writes a heartfelt ode to lovin' his Dad ( not that way, get your mind out of the gutter sicko). Scheff's father was the bass player for Elvis Presley, the song chronicles how Scheff loves his Pop to the point that his Father is "Bigger Than Elvis". A beautiful arrangement can't mask the saccharine, be careful when listening to this or you may go into a diabetic coma.

4. Asia - Countdown To Zero (1985)

During the Cold War, the Arms race and possibility of Nuclear War was on everyone's minds. It was on John Wetton's mind, resulting in one of the worst anti-war anthems you could imagine. "Countdown to Zero" has more corn than, well, a corn field as Wetton builds the anxiety about irreconcilable international tensions. What really caps it is the ending, where Wetton reels off a list of Countries names and then pleads for Peace. In a large, booming echoey voice, Wetton slowly intones "Don't Do It. Don't Press the Button. No. Don't Start. Don't Start the Countdown to Zero. We Want To Live. We Will Live. Don't Press the Button." and goes on like this for a while. It's hilariously bad, in College I had a running joke with a roommate who also liked Asia where we would talk just like this.

3. Van Halen - How Many Say I (1998)

With Van Halen 3, Eddie Van Halen had finally gotten rid of all the lead singers that had stood in his way of total domination of the band. And now EVH could do what he really wanted to do...sing! With a weathered voice that made Roger Waters sound like Christina Aguilera, Eddie Van Halen ended Van Halen 3 with this piano based ballad containing an almost childlike circular melody. Raw ego never sounded so wrong.

2. GTR - The Hunter (1986)

Debuting with the outstanding "When The Heart Rules the Mind", GTR hit the scene as a team up of prog guitar legends Steve Howe (Yes, Asia) and Steve Hackett (Genesis). After taking in "Mind", I anxiously waited for the follow up single. What I got was this, the ridiculous "The Hunter". Musically, it's a very nice song featuring Howe and Hackett's fine acoustic guitars. What stops the fun is a sing songy melody with lyrics like "He's a fighter, he's a swan, he's the one I'm counting on. Steal the glory, take the prize - only the Hunter, only the Hunter...Survives!" El lamo.

1. Rod Stewart - Love Touch (1985)

For two decades this song has represented to me all that can be crappy in music. Taken from the soundtrack for the Robert Redford / Debra Winger rom com Legal Eagles, Stewart doesn't just go Pop but ingests it whole like a Sarlacc pit. It should be a slight, innocuous pop piece of fluff. But something in this song offends me on a deep deep level. Nothing here works for me, its not just the sound of someone selling out that gets me. It's the sound of a talented performer phoning in a performance to a song devoid any real feeling done in a style that's supposed to seem adventurous and fun. And then I had to watch this hunk of junk become a Top 10 hit. Oh the pain, the pain. I can't even bring myself to provide a link to this.

That wraps up my Top 10 musical turkeys, as I mentioned at the start these are some of my favorite groups so why carp on just one song versus the hundreds that I enjoy from these people? Simple, because it's fun. No one can be perfect all the time and these artists are no exception. Though that doesn't mean I can't have a little fun at their expense. And it's perfectly possible that other people may love these songs. So have you heard? Have you heard about the Bird? Bird Bird Bird, Bird is a Word...

Little Guitars - My Ten Favorite Guitarists

It's Alive!

Well, it's been a long week for me I've been under the weather almost the whole time and a trip to the doctor yesterday was of the mostly good news / some bad news variety. I started this post earlier this week but didn't get past the first sentence so I've decided to give it another go. I've always had one or two favorite guitar players but I haven't ranked a listing of them since about 9th Grade. And, being the mature person that I am, I'm doing it again! To my surprise, a lot of my picks aren't shredders and while I'll be explaining why I picked these people and logical reasoning for it and yada yada yada-it's really just based on my emotional reaction to their playing. Also, I'm not a guitar player so I can't get all technical with keys or what string was used so there won't be a lot of that here. Though it won't stop me from sounding like I do. Know stuff, that is. For some reason, I wanted to write this like they were criminals or outlaws from the 1930s, so I kinda did. Ooooh you dirty rat, look here see, disclaimer is done this is how it's goin' down now.

10. John Frusciante

In a Nutshell: That guy Dave Navarro tried to replace.

Known Affiliations: Red Hot Chili Peppers and Solo

The Rap Sheet: Frusciante can get down to scratch funk, rock out in that 90's Alterna way, strum acoustic guitar beautifully and adapt to a wide mix of beats with taste and energy.

The Skinny: When I first heard the Chili Peppers, the thing that stood out to me was the bass playing by Flea (a great bassist, I just recently found out he provided the bass line to Young MC's Bust A Move) and the guitar work seemed secondary (though I liked the guitar to Taste The Pain and later came to appreciate his work from the Mother's Milk (1989) album). When Blood Sugar Sex Magik (1991) came out, I was more impressed with the meaty funk (Give It Away) and acoustic riffs (Breaking the Girl) Frusciante provided. Then he left.

Frusciante released a series of solo albums I've never heard, in reviews there were lots of mentions of being too "atmospheric" or "making the sound of water dripping slowly". Having not heard these albums I can't say if those critics were accurate or not. In any case, it seemed Frusciante went the opposite direction of RHCP by working on textures and experimenting with his sound while he was replaced with a revolving door of people in the Chili Peppers.

Based on this, Frusciante would not have made my list-it's what happened next that got him here. He rejoined the Chili Peppers for their 1999 release Californication and quickly spurred the artistic growth lacking in his absence. Californication found RHCP delving more into pop and quiet, atmospheric songs while still keeping the beat up on their funk rock jams. Frusciante's ability to move from jumpy blasts of rock to lyrical near acoustic passages attributed to Californication's success. The follow up, By The Way (2002), continued in this path but a little too much so for my taste (though I love his playing on Cabron). But Stadium Arcadium (2006) is a showcase for Frusciante as he adds electrifying rock guitar solos and even touches of Pink Floyd into the mix. And if that's not enough, he does a killer version of the Bee Gees How Deep Is Your Love except for the ending.

Favorite Album Performance: Californication gave Frusciante space to do his thang, ranging from classic RHCP funk rock (Around The World ) to midtempo lyricism with an awesome slide guitar lick (Scar Tissue ).

Favorite Air Guitar Moment: Frusciante delivers a flurry of fuzzed out Hendrixian notes at the end of Dani California (also see Number 7)

9. Brad Gillis / Jeff Watson

In a Nutshell: The Bay Area rockers tap and shred their way to glory.

Known Affiliations: Ozzy Osbourne (Gillis), Night Ranger and Solo

The Rap Sheet: Brad Gillis has to be the whammy bar champion of all time. Jeff Watson can shred like a speed demon but also holds notes at irregular lengths to make it stand out more. Together they're pure adrenalin.

The Skinny: The recently split tag team of Gillis and Watson gave what was termed "laser licks" (it was the 80's, lasers are fast man!) and some of the best non-metal twin guitar fury not seen since...I don't know when. No really, I just can't think of an example right now. Anyway, following a stint as Randy Rhoads initial replacement in Ozzy Osbourne's band (Over The Mountain ) Brad Gillis rejoined his original band Ranger that was then changed to Night Ranger to avoid a clash with another band of the same name. Brad Gillis' squalling and dive bombing whammy bar runs gave the group a distinct sound like on Don't Tell Me You Love Me or soaring through the clouds on Sister Christian as demonstrated on these instructional videos. I could listen to Gillis play all day, I think in high school I pretty much did.

But I can't downplay Jeff Watson's contributions which is why they're listed as a tag team. Watson handled a lot of the pastoral guitar parts they were known for like on Let Him Run and Goodbye while cruising on Four in the Morning or blazing through tracks like Can't Find Me A Thrill . His quicksilver riffing and fiery solos gave the perfect counterpoint to Gillis' whammy. Together, they were my favorite tag team on guitar. And on stage they ran around like a football team in two minute offense.

Favorite Album Performance: Can you top Dawn Patrol (1982)? I don't think so!

Favorite Air Guitar Moment: All of the guitars in (you Can Still) Rock in America is air guitar thunder baby!! And I think I recall Jeff Watson getting upset at people saying he got the finger tapping from Eddie Van Halen.

8. Steve Lukather

In a Nutshell: If you record in L.A. and you need a guitar part done and if he's not already working for someone else then you can call in Steve Lukather.

Known affiliations: Toto and Solo. As a session player- Michael Jackson, Chicago, The Tubes, Boz Scaggs, Cheap Trick, Hall & Oates, Elton John, Aretha Franklin, Cher, George Benson, America, Don Henley, Manhattan Transfer, Christopher Cross, Stevie Nicks, Paul McCartney, Randy Newman, Quincy Jones and Alice Cooper just to name a few.

The Rap Sheet: Controlled and professional but definitely not lacking in emotion. As Toto's career went on, Lukather's playing seemed to take on a harder edge but let's face it - this guy can play anything he wants to and make it sound perfect.

The Skinny: In the days before Internet, I had a different image of Steve Lukather. Lukather was the balladeer of Toto, writing and singing sensitive hand wringing love songs like I Won't Hold You Back or How Does it Feel . So I had this idea that he was this sensitive dude that could play kick ass guitar. It was kind of a shock when the Internet hit and interviews like This became common place. It turns out Steve Lukather is a tough talkin' guy, nothing wrong with that, just a surprise compared to the image I had from his songs. But that's cool.

Lukather plays so many different styles that it's hard to categorize him (and musicians hate being categorized anyway) so I'll just run through some of his greatest riffs like the often sampled slide guitar lick from Toto's Georgy Porgy ( MC Lyte's Poor Georgie is the best example). When I saw them live, Lukather's rockin' solo on White Sister was amazing. And then he could turn all jazzy like on "These Chains" from The Seventh One (1988) album. The dude could do it all.

Favorite Album Performance: Toto's Isolation (1984) record was a model of perfect AOR guitar playing. One critic derisively called the record something like an advertisement for their 80's rock studio skills. If you like Toto and read rock critics, you always had to reverse the meaning of what was written to get to the point of view you agreed with.

Favorite Air Guitar Moment: The solo at the end of The Tubes Talk To Ya Later is an awesome piece of AOR craftsmanship. As a dorky teenager, I literally fell off a diving board air guitaring to this solo. And no, I didn't hit the water.

7. Prince

In a Nutshell: Yup, he's a nut alright. A nut but a singular and incredible talent.

Known Affiliations: Prince, The Artist Formerly Known As Prince, Christopher, Jamie Starr, The Time, The Family, Vanity 6, Apollonia, Jill Jones and a continuing list of protege's. (except for the ladies everyone named is pretty much him under different identites)

The Rap Sheet: Funky, funky, funky. Lots of James Brown style funk in there where the guitar kinda rides above the bass groove. And then some Jimi Hendrix thrown in. Prince is able to play any style in his own estimable Purple way. And it's just one of about a bazillion instruments he plays.

The Skinny: When he's not offending people at Super Bowls with his guitar posturing, Prince is a formidable performer on the fretboard. The guitar is usually in the middle of the mix of your usual Prince song but is no less important because of it. Memorable guitar parts include that opening bit with the gnarled intro into a twang on "When Doves Cry", the long solo at the end of "I Could Never Take The Place Of Your Man" and even the slinky "Cream". Still, when he's just backing up the groove like on many a Prince jam ("Alphabet St." comes to mind) his playing is on the money and funk-ay. I also like how he uses stray hanging notes to show something slightly unhinged is happening ("Cream" is a good example but I'm sure he did it in other songs, I just can't remember right now). And to many an 80's kid, the Hendrix styled "Purple Rain" with it's drawn out coda is a near religious experience. Though he can't make any claim to one of the best known solos of his hit "Little Red Corvette", that was Dez Dickerson.

Favorite Album Performance: Are you kidding? Purple Rain (1984) of course!

Favorite Air Guitar Moment: The Hendrix styled spectacle at the close of "Let's Go Crazy" saw Prince move away from his R&B tag by out rocking just about every other guitarist around. So good it actually crossed over to Rock radio back in the day. Where's my puffy shirt and spotlight?

6. Lindsey Buckingham

In a Nutshell: Picking a winner.

Known Affiliations: Buckingham / Nicks, Fleetwood Mac, Fritz and solo

The Rap Sheet: Finger pickin' good. Buckingham's style is finger picked and light with an acoustic guitar feel. Very heavy on creating sound textures with his guitar. Though if he needs to rock hard, he can. Up to a mid 70's level, that is.

The Skinny: The first guitarist I ever really idolized, I thought all guitar players didn't use a pick and moved herky jerky on stage (some guitarists have referred to their playing as "making love to the audience", I bet they've never seen Buckingham in action during I'm So Afraid. With every note he gives a long pelvic thrust at the audience and then grimaces. So be afraid. Very afraid.) Known more for his skills as a Producer than a guitarist, I like his unique sound and his custom made sorta banjo guitar.

Guitar wise, he started off as a more traditional sounding Country rocker on cuts like Go Your Own Way, Blue Letter and Never Going Back Again. His finger picked style fit in well with the Country edge. But at the end of the 70's, Buckingham adapted to New Wave and that's when the herky jerky started on tracks like Not That Funny. His stiff, choppy sense of rhythm came to the fore while his solos got more spindly. For the 80's, the guitar work became more involved with creating textures like the raining sound on the live version of Everywhere. His playing eventually condensed down to both the Country rock and New Wave influences to make a unique sound.

Favorite Album Performance: His third solo album Out of the Cradle (1992) showed his distilled style of guitar work to its best effect. The light and bouncy Don't Look Down , the smooth Countdown and the riff heavy This is the Time are just some of the highlights here.

Favorite Air Guitar Moment: The 1982 live version of The Chain features one of the most dramatic arrangements of this well worn tune including a frantic guitar solo at the close. Yes I'm runnin, Yes I'm runnin'!

5. John Petrucci

In a Nutshell: The only thing better than a 30 second shred solo is a ten minute one.

Known Affiliations: Dream Theater, Liquid Tension Experiment, Solo

The Rap Sheet: A Prog Metal King, Petrucci can lay a heavy groove and then shred all over it. He's assimilated from the great ones (such as Steve Vai and Alex Lifeson) to come up with a sound that's distinct to him.

The Skinny: I haven't heard of any of his work except Dream Theater. Fast and precise doesn't begin to describe his playing which has adapted from the upbeat and fist pumping 80's riffage to the grinding nu metal modern era without missing a step. Of the first era check out the spellbinding solo on Under a Glass Moon and then chase it down with the escalating riff to Innocence Faded. For the modern era, take the mix a You Tuber put together combining multiple solos to Solo Medley. And then remember he's in a Prog band that plays ten to 40 minute epics with multiple movements.

Favorite Album Performance: Well, for me Images and Words (1992) is tough to top on any level. I think I've posted about this album a few times so I won't bother to elaborate further. .
Favorite Air Guitar Moment: The brilliant soaring solo to Another Day is dramatic, bombastic and moving. Even when unplugged, like it is in this version.

4. Eddie Van Halen

In a Nutshell: Eddie! Eddie! Eddie!

Known Affiliatons: Van Halen. He worked for Michael Jackson one time, too.

The Rap Sheet: The man who brought us finger tapping and made shredding an art form. He used to play with his back to the audience so people couldn't see his hands.

The Skinny: Often imitated but never truly duplicated, Van Halen added a new vocabulary to Rock music. I think he's the last guitarist to truly innovate the instrument (at least in Rock music) on a mass scale. What set him apart from his imitators was the sense of personality that came from his playing. Where many shred guitarists played in a tight and regimented style to show technical skill and dominance, EVH wove his guitar parts together so they flowed smoothly. The Roth era was more playful as reflected in songs like Bottoms Up or Panama where big riffs and charged solos added to the Party Hearty atmosphere. In the Hagar era, EVH dropped the "Brown" sound and some of the playfulness went away in favor of a more direct approach like Poundcake. But not all of it, as shown on Finish What Ya Started. And through it all, Eruption is often ranked as one of the greatest guitar solos of all time. Although I have a soft spot for Cathedral. All done with enough running scissor kicks to wear a hip out.

Favorite Album Performance: Fair Warning (1981) was the only Original Van Halen album where Roth took a back seat. EVH emptied his bag of tricks all over the disc, making it less accessible but no less impressive. Just listen to the mammoth guitars on Mean Streets or Unchained and I think you'll see what I mean.

Favorite Air Guitar Moment: No one from the "I Want My MTV!" era could forget Eddie Van Halen strolling across library tables in black and white to the tribal rhythms of Hot For Teacher. Or how EVH casually unspools one of his best solos filled with excitement and humor as brother Alex punctuates some parts with his snare. And who can forget that shudder to a stop followed by a loop the loop and crash bang ending?

3. Neal Schon

In A Nutshell: Randy Jackson (American Idol) once called Schon "The Rock Dawg".

Known Affiliatons: Santana, Journey, HSAS, Schon & Hammer, Bad English, Hardline, Paul Rodgers, Abraxas, Planet Us and Solo.

The Rap Sheet: Extremely fast and accurate while only occasionally resorting to shredding, Schon is known for his slick riffs and soaring guitar solos from Journey.

The Skinny: Schon's also a sort of performance addict in that he's repeatedly said thru his career that he can't stand not performing for longer than a few weeks resulting in a huge discography. That smooth yet biting approach that ruled cuts like Stone in Love or adding to the stratospheric climb of power balladry for Faithfully wrote the book for Arena Rock guitar. As polished and technical as his playing can be, there's always a sort of primal feeling to his performances that give it edge. In other bands Schon has shown an inclination to rock harder with meatier riffs like Hardline's Takin Me Down. He never dropped his Santana associations and would play with other early Santana members to revive the sound of the first three Santana albums. And as a solo artist he's branched out into different rhythms, like the pleasantly new agey Beyond the Thunder (1994) album. In the 70's, Schon had like a foot of hair on his head. You've gotta respect that! But if not, I think Schon has said the solo he gets the most compliments for is at the end of Who's Cryin' Now

Favorite Album Performance: Is Hagar Schon Arronson and Shrieve's Through the Fire (1984). It captures Schon in his Journey prime on holiday from his day job. Working with raspy meat and potatoes rocker Sammy Hagar instead of smooth tenor Steve Perry, Schon revs up his guitar of killer rockers like My Hometown and He Will Understand. But if you think he forgot his Journey roots, just listen to the dramatic Missing You. And then pump your fists in the air for the anthemic Top of the Rock. Yeah! Stay in School! (HSAS was formed for a series of benefit concerts for Bay Area schools, which was interesting because both Hagar and Schon were high school drop outs)

Favorite Air Guitar Moment: On the Raised in Radio (1986) record, Schon saw his creative involvement reduced but was given some lengthy solos in return. The solo at the end of their Top 10 hit Be Good To Yourself is feel great AOR bombast at its best.

2. Steve Howe

In a Nutshell: Play on Maestro!

Known Affiliations: Bodast, Tomorrow, Yes, GTR, Asia and Solo

The Rap Sheet: Heavily structured patterns that move like data thru fiberoptic cable.

The Skinny: Determined to come up with a Rock guitar style that was not based on the Blues, Howe pretty much threw everything else together. With Yes, Howe became the deciding factor in moving the British band's music forward from being a musicianly vocal group to an instrumentally based group with voice as a fifth instrument. Classic Yes material like the multi movement Starship Trooper, the outer space slide guitar on And You And I and the point/counterpoint riffage of Heart of the Sunrise relied heavily on Howe's abilities. With the end of Classic Yes, Howe adapted to the 80's by shortening his game and punching catchier guitar parts like on Asia's Heat of the Moment or GTR's When the Heart Rules the Mind. Throughout, Howe developed a solo career for his intricate noodlings and by the 90's had regrouped with Yes.
A special mention needs to be made about Howe's stage presence. He's one of the most committed musicians you can hear live and long ago he stopped worrying about holding back for the audience. So if you're not used to seeing Howe live, his guitar faces, awkward movements and at times crab like manuevers can seem a little goofy. But it's just an honest display of the man gettin' down. I got so much crap from friends after the MTV show Asia in Asia over Howe's antics.

Favorite Album Performance: For my money, his solo album Not Necessarily Acoustic (1994) put Maestro's best pieces in one place in live performance. Howe classics like Clap , Mood For A Day, Sketches in the Sun and "Excerpts from Tales For Topographic Oceans" get first class renditions with the focus all on Howe. Nous Sommes Du Soliel!

Favorite Air Guitar Moment: My sentimental favorite Howe song is Masquerade so I'm picking it as my favorite air guitar song for Maestro.

1. Stevie Ray Vaughan

In a Nutshell: Born to be Blue

Known Affiliations: David Bowie and solo

The Rap Sheet: Six string sting with the Blues and Hendrix.

The Skinny: The first time I ever heard of Stevie Ray Vaughan was in the late 80's, I had a friend who said he wasn't a fan but had to admit Vaughan was born to play the guitar. I wasn't into Blues so I never bothered to check SRV out and mostly heard about him via his untimely death. A few years back, I had a different friend who loved Blues and Blues Rock thru which we would trade CDs and videos to see various artists. I think he lent me the Live at El Mocambo video and I finally saw what the big deal was about. Vaughan played guitar like it was as natural as breathing, his thought and action seemed simultaneous. And what he played was emotional, profoundly sharp and skilled. On top of that, Vaughan would use a bag of stage tricks that he performed with ease, such as playing the guitar behind his back for like half a song.

So I delved into the SRV catalog and found a career packed with amazing performances. That he could play that much guitar and not recycle riffs or solos was really impressive to me. Favorite SRV tunes include the rollicking House is a Rockin' , the awesome Crossfire and the unlikely boogie Mary Had a Little Lamb. The Hank Ballard penned Look at Little Sister also gets repeat plays on my IPOD. And I really liked his team up with Jeff Beck for a dynamite Goin' Down. I got into his music about a decade after his passing, it all held up as honest heartfelt music.

Favorite Album Performance: The debut Texas Flood (1983) heralded Vaughan's arrival to the mainstream with a set of great songs like Love Struck Baby , Rude Mood and of course the Title Cut.

Favorite Air Guitar Moment: I think anyone who has played Guitar Hero 3 knows how great Texas Flood is from start to finish. But that solo at the end has more twists and turns than an M Night Shamalyan movie. And no fake ending!

And that's the list. So many other guitarists came close to making this list, but I had to go with my gut in making choices. Meaning I had a lot to go on. Ha ha. Say goodnight Gracie. Goodnight Gracie.

Something Old, New, Borrowed...Something Night Ranger!

You can still Rock in America with Night Ranger. You can't get cheap gas or balance the California budget but Rock? Yeah, you can still do that.

American fans of Night Ranger have had a long wait between albums, the previous disc of these Bay Area rockers was Seven in 1998. Ten years ago! I think I had a mustache the last time new Night Ranger was released (I don't have one now). Last year there were a lot of happenings in the Night Ranger universe, a new CD called Hole in the Sun was released just about everywhere but here quickly followed by the dismissal of long time guitarist Jeff Watson. Meaning the last recordings of Watson with the band couldn't be heard here. Until now.

The band has finally gotten enough support to get the new CD out here in the States. And being a longtime Night Ranger fan, I had to hear it. And I'm happy to say the hallmarks of classic Night Ranger are there, all the burning twin guitar solos, fired up vocals and hard riffing attitude you could handle. Minus one original member when recording (keyboardist Alan Fitzgerald was replaced by Michael Lardie at this point) the lineup of bassist / vocalist Jack Blades, drummer / vocalist Kelly Keagy, whammy bar guitarist Brad Gillis and guitarist Jeff Watson crank out their jams 80s style with fire and skill. The raging title track and "Wrap It Up" rocks like the Night Ranger of old with frantic guitars squalling all over. The ballad "There Is Life" sways like an old bic lighter in the wind. And the guitar soloing in "Tell Your Vision"? 80's Rock nirvana.

Yet the band is not happy with just rehashing their known sound, they want to be contemporary so they've infused a modern edge into much of the disc. A lot of the main guitar parts to the songs are low (what's the technical term? down tuned?) in tone and a little ragged at times. There are rubbery bass lines and drum looped employed in spots as well. But a lot of it has to do with mix of verse and chorus, the pattern being either a modern verse with an 80's chorus or vice versa. The best example is "Whatever Happened" that has a Weezerish offhand verse section followed by strident pure 80's Arena Rock anthem chorus. It's a great song. Some of that acoustic Shaw / Blades feel comes into play too, with pleasant strumming guitars on "Fool in Me" and "Being".

To hedge their bets, the album ends with two acoustic versions of their classic hits "Don't Tell Me You Love Me" and "Sister Christian". Both versions are fine additions to their catalog but detract from the statement their album is making. Night Ranger make a case for relevance, they fall short, but still display a strong showing. They'll never match their AOR trilogy of Dawn Patrol / Midnight Madness / 7 Wishes and some of the fan reaction on Hole's initial release said they changed too much, but I think the changes have kept them vital enough to stay interesting. All in all, Hole in the Sun is pretty good.

Though apparently not everyone in the band was happy as Jeff Watson either quit or was fired in '07 leading to a revolving door of guitarists in his place. I couldn't find much of their new material online for this post, you can hear "Tell Your Vision" and "There is Life" at Night Ranger's My Space page. But I don't want to send you good people home empty handed, so here's something I swear I never thought I'd see: A group of dancing teenagers in Iowa performing a Night Ranger medley. They're Motorin'!

Linn Mar "Night Ranger medley"