Remakes of Hall & Oates you say? Blasphemy! Still, I was intrigued by the prospect of new age jazzers The Bird And The Bee tackling these revered classics on Interpreting The Masters Vol 1. Electro poppin where H&O bounced, B&B grooves with clever intricacy and buzzy sheen. Natch, singer Inara George's breathy vocals can't match Daryl Hall's blue eyed soul so she doesn't try to. This is Hall & Oates done Cost Plus style and the results wind up fittingly half and half. Like a new coat of paint hastily plastered on an aging fresco, there are moments of revised beauty and spots of threadbare wear for 'ol warhorses like "Sara Smile" or "Private Eyes". As honorably faithful it is to not change the gender on the girl-I-love-you lyrics relayed by Girl George, it starts to distract after awhile. Nothing wrong with girl to girl love songs, it just has to hit me more universally for me to dig it. Thankfully, B&B knock H&O's two deadliest grooves "Maneater" and "I Can't Go For That" out of the park. End result? Pretty good, could have been better. Or should I say "So close, yet so far away"?