Showing posts with label Coldplay. Show all posts
Showing posts with label Coldplay. Show all posts

Monday, November 30, 2009

The Design Of A Decade pt deux: Post Flannel Fury!

All that you can't leave behind is how to dismantle an atomic bomb because there is no line on the horizon.

The Grunge and Alterna Rock boom of the early 90's was the last significant movement in Rock music that would hit on a mass scale in my book. When the 2000's rolled around many of those flannel wearing acts had broken up or gone back to the underground. At the same time there were artists who did persevere, gliding into the second stage of their career proving they still had some potency left past their 20s. Of those that survived, here are my favorites:

All That You Can't Leave Behind...Luggage!

U2's 2000 release All That You Can't Leave Behind is my top pick from this genre, though technically they were an 80's band. Top flight songs (the hits "Beautiful Day", "Stuck In A Moment", "Elevation" and "Walk On" all stem from this disc) broadcasting a weary, melancholy sense of hope became my soundtrack to the feeling after 9/11. It also brought guitars back to the band's sound after spending the 90's tinkering with electronic noise. A great album.

With The Lights Out, It's Less Dangerous

The Smashing Pumpkins kicked off the new millennium with what was supposed to be their swan song, Machina/The Machines Of God (2000). While the album is a little abstract (it was the remnants of a planned concept disc that didn't go through) there is some good stuff here. Not the greatest Pumpkins disc, but not an embarrassment either. Anyway, it was Pearl Jam's return to anthemic songwriting that pushed their self titled Pearl Jam (2006) to the top of the ex flannel heap. Scorchers like "Life Wasted" or "Big Wave" exploded on impact. Former Nirvana drummer Dave Grohl led his Foo Fighters through Echoes Silence Patience Grace (2007), a decent disc highlighted by two outstanding jams "The Pretender" and "Long Road To Ruin". Coming in at the end of the Grunge era was Weezer, who sat out the last part of the 90's only to return armed with an inspired set of compelling nerd rock on 2001's Weezer (the green album). "Island In The Sun" still gets my head bopping.

It Is The Distant Future, The Year 2000

Like the album cover, Green Day caught everyone off guard with a masterstroke pop punk concept album American Idiot (2004) going off like a grenade. An artistic triumph, Green Day spoke to the disaffected with a strong set of songs that hung together thematically. American Idiot was one of the discs I played the most within the last couple of years. And no one saw it coming from a trio that was written off as lightweight has beens.

Radiohead has been the barometer for everything considered great about rock music following The Bends in 1995. Many Best Of The Decade lists I've seen rate Kid A (2000) near the top, an album I could not get into. Electronic doodling in rock music is nice as an additional extra, like buying an accent piece of furniture, but I hate when rock bands remove guitars completely in favor of blips and bloops (lookin' at you U2 and Radiohead!). The Radiohead album I did get into was the famous freebee In Rainbows (2007). A sturdy bunch of songs packed with that whiny croony thing Thom Yorke does so well. Along similar lines, Coldplay became one of the few new stadium bands of the 21st Century thanks to a string of polished, glossy U2/Radiohead style balladry. A Rush Of Blood To The Head (2002) was a compelling listen evoking a sort of post modern yearning for something more. It's a mellow ride through a mildly tortured soul. The lone downside is that "Clocks" threatened to become as ubiquitous in montages as Green Day's "Good Riddance (Time Of Your Life)" was five years before it. Once I heard "Clocks" used in a scene from ER I saw there was no getting away from that song. Ever.

Not to be left in the past, alternative techno rock icon Trent Reznor served up the pretty good With Teeth (2005) for his Nine Inch Nails. It wasn't as inspired as his best work, instead it was consistently good with "Only" becoming my favorite NIN song.

Shiny Happy People Marching

R.E.M. spent most of the time making mediocre albums to a fanbase that kept wondering - when was R.E.M. going to be great again? What happened to those sublime post punk songs with the riddle filled lyrics? In 2008, R.E.M. took a shot at regaining their own title back as jangle rock kings on Accelerate and came damn close to succeeding. On its own terms, Accelerate powers forward by embracing the bands past but not copying it.

R.E.M. had their roots in college rock or what's now called Indie rock which will be the next genre on my list here. Because that's me in the corner, that's me in the spot. light.

December 8th Add On

There were two CDs that I went back and forth on including and ultimately I decided to tack them on. The first is Pearl Jam's latest Backspacer (2009). I didn't think much of this disc when I first got it but since then it has grown and resonated with me strongly so I am adding it on. Also, power pop ace Matthew Sweet generated Kimi Ga Suki (2003) should have been included for its pure chimy catchiness.

Tuesday, May 19, 2009

Death Has A Lot Of Friends

Put your hands in the air! Wave them like you just don't care...

I received a surprise in my e-mail in box last weekend when the Coldplay newsletter announced that they had made a live album as a free download at Coldplay.com. Since I love free stuff, I raced over to the website to download my copy of the erstwhile rock balladeers. The recording seems to come from their current tour supporting Viva La Vida or Death And All His Friends. Or as I like to think of it, the Viva La Vida Legal Defense Fund Tour for the millions of people in the world convinced Chris Martin stole their song. Even though I haven't had an interest in hearing Coldplay live, I could not pass up a freebie.

I didn't have an interest in the Coldplay concert experience because they struck me as a band that would sound flat in live performance. A band that polished in the studio with so many slow songs seemed like a dull proposition. So I was happy to find out that I was wrong in assuming that, because their new live album Left Right Left Right Left makes Coldplay sound like a fairly exciting place to be.

It may be the production or the mix, this live album feels like an actual concert. Sometimes live albums are overdubbed in the studio or mix the audience real low to get out of the way of their instruments. Here, the sound of the crowd is loudly featured, screaming and whistling and singing along as only an arena of fans can. The band sticks closely to the music arrangements from their albums with the exception of crowd participation, such as having the audience sing several verses of "Fix You". Live, the band's rhythm section is more noticeable as I caught on to bass parts and rhythms that seemed buried on record. The band's more muscular presence made songs like "Glass of Water" come across well, I could hear the surging glistening sonics wash over the arena.

Big hits like "Clocks" or "Viva La Vida" sound pretty decent when given the supersize treatment with "big moment" theatrics. Left Right Left Right Left does precisely what a live album should do - give the listener the feeling of being at an entertaining show. Sure, there were a handful of audio glitches in my MP3s but hey, it's free so why quibble. I still probably won't see them live though if I did I guess it wouldn't be too bad a thing. And if I did go, I understand you get a physical copy of this album too. I wonder if it's all yellow?

Friday, December 26, 2008

Top 10 Favorite Albums of 2008

Coldplay had my 11th favorite CD of the year, Viva La Vida or Death and All His Friends. Coldplay had my 11th favorite CD of the year, Viva La Vida or Death and All His Friends. Hey, stop copying me Chris Martin!

2008 was the year that everything least likely to happen, happened. As I read what I wrote in this post, I see the words "unlikely" or "least likely" pop up everywhere. I have even named a former life long nemesis to this list. It was the year of "Go Figure", it was 2008:

10. Lindsey Buckingham - Gift of Screws
.
As his career has progressed, Buckingham's artful refinement of his unique distillation of roots rock, Brian Wilson and 70's melodicism has become increasingly studied though no less sharp. This makes Gift of Screws a pleasant surprise as Buckingham cuts loose a smidgen with a greater focus on energy and Fleetwood Mac-isms than much of his recent work (including Fleetwood Mac albums). Fleetwood Mac white album and Rumours era rock abounds with a cluster of acoustic and electric guitars and multitracked chorus vocals (with Buckingham seemingly raising the EQ on some of his singing to mimic the Buckingham/Nicks sound). Did You Miss Me embraces his softer, swoonier side while "Love Runs Deeper" and "The Right Place to Fade" had me reliving his "Go Your Own Way" glory days.

9. Rick Springfield - Venus in Overdrive
.
One of the unlikely candidates for a comeback, Springfield once again displays his Genius of adapting personal experiences to the Pop / Rock sound of the day. As he has done throughout his career, Springfield takes the modern style of commercial rock and personalizes it with his distinct brand of angst and weariness (of the many people to once hold Teen Idol status, Springfield stood out in writing downbeat lyrics to his happy sounding songs). The lead single "What's Victoria's Secret" recalled "Jessie's Girl" in parts and Springfield worked the promo circuit including his old stomping grounds of General Hospital to push it. The rest of the album is just as good as "Secret", referencing the Stones and the Beatles in between the slick sonics worthy of a Disney star. The Genius strikes again!

8. R.E.M. - Accelerate

The least likely of the bunch to ride the retro train, R.E.M. cut out the arty crap and got back to the jangly fast beat riddles that made them College Rock darlings. Like the album title says, it was time for R.E.M. to speed up a bit and tracks like Living Well is the Best Revenge and Supernatural Superserious give a caffeinated kick in the pants. There are still some slower numbers for R.E.M. to get their more ambitious ya-yas out, but what sticks are moments like the silly album closer I'm Gonna DJ. I haven't played this much R.E.M. since Automatic for The People (1992).

7. Amy Winehouse - Back to Black


The real success story for Winehouse is that she made it out of 2008 alive, I really didn't think she would make it. Forgetting that she is a violent mess of a junkie, the album Back to Black ties Classic Soul and Motown to engaging songwriting and a unique performer. Tears dry on Their Own recalls the rush of early Diana Ross while her hit Rehab was attention grabbing fun. Given her self destructive behavior, it's not likely Winehouse will make an album this good ever again. Winehouse is the beautiful sound of damaged goods, intent on proving that You Know I'm No Good was no idle boast.

6. Whitesnake - Good to Be Bad


Of all the 80's rockers to pull their spandex out of mothballs, David Coverdale was one of the least likely to succeed. Whitesnake had come to symbolize hair band excess almost as much as Winger and with little output from Coverdale since the 80's he seemed ripe for a limp pale performance. But Coverdale is a crafty one, bringing in guitarist Doug Aldrich to peel out simpatico Led Zep riffage to Coverdale's Plantish howl. Good to Be Bad is like a cross of the two best 'Snake albums, it has the down and dirty blues rock of Slide it In (1984) and the commercial hooks of Whitesnake (1987). With Good to Be Bad you get the best Whitesnake has to offer, the Led Zep lite of the title track, the power balladry of All I Want All I Need and the fired up go for broke rawk of Got What You Need. Coverdale proves he still has some hair spray left in his can yet.

5. John Mellencamp - Life, Death, Love and Freedom


Is this really my list? I've hated John Mellencamp for years so saying his name positively takes a bit of getting used to. This year I decided to cut Mellencamp a little slack and give him a fair shot at impressing me. His disc Life, Death, Love and Freedom was good but I didn't think it was great. So imagine my surprise when I made this list this week and found I liked this album to the point I would rank it my 5th favorite of the year. Like Springsteen's classic Nebraska (1982), Mellencamp takes a good hard look at the disillusionment with the American dream as it is taken away "Without A Shot" in this Troubled Land. Staring in the face of social and economic ills or maybe just a plain loss of values, Mellencamp paints a stark picture that mirrors the feeling of what's happening now like no other. Looks like all those people who recommended this CD to me was right: it is great and it's one of the best of the year. Hard to believe this all started with me liking the rockabilly My Sweet Love.

4. Asia - Phoenix


It only took a quarter of a century to get Steve Howe, John Wetton, Carl Palmer and Geoff Downes to record a new album, record time in the world of Progressive rock where band lineups change with the weather. Inspired by Wetton's recent health problems, Phoenix comes alive with feel good emotion and tricky band interplay. Surprising in its maturity, Wetton's smooth delivery backed by angular guitars, swirling synths and rapid fire drums bring back the Heat. I even got to live the dream and see these guys in concert this year. Easily the band's most optimistic record, Asia proves it's An Extraordinary Life. "Never Again" had the drama and poppy action expected from the First Supergroup of the 80's while at the same time delving into their storied Prog history like never before on tracks like Parallel Worlds/Vortex/Deya. Carl Palmer rules!

3. Sheryl Crow - Detours
.
.
Crow had become a bit of a media joke as her commercial power has faded, written off as a left wing nut job who survived cancer but failed in a high profile relationship with bicyclist Lance Armstrong. Detours shows Crow can have the last laugh, reteaming with Tuesday Night Music Club producer Bill Bottrell returns her to a more natural, lively sound than her recent outings. And with Bottrell, Crow finds her songwriting muse and writes an album of all killer and no filler (the first time I can say that about one of her discs). Serving as a self portrait, Detours gives insight into her openly lefty politics and wounded romantic heart. Cuts like God Bless This Mess, Love is Free and Now That You're Gone illustrate the power of her songwriting. My favorite of all the Sheryl Crow albums, one of those rare moments where talent, feeling and performance hit their peak at the same time.

2. Journey - Revelation


In what was one of the most controversial Lead Singer swaps in recent history, Journey picked a Filipino singer from You Tube to be the latest substitute for AOR legend Steve Perry. While predecessors Steve Augeri and Jeff Scott Soto fared well, Arnel Pineda turned out to be the best replacement yet for "The Voice". Able to mimic not just Perry's range but recapture some of the soulfulness, Pineda added clear enunciation, an egoless approach and a high flying stage presence to the mix. Surprisingly, Pineda was also able to inject an upbeat personality and genuine feeling into the group's sound to bring Journey back from the brink. Meanwhile, Jon Cain and Neal Schon wrote material strong enough to be the best Journey album since Raised on Radio (1986). Rockers like Change for the Better and Never Walk Away soared like the Journey of old. The band that practically invented the power ballad serve up more misty eyed sentimentality on After All These Years in grand fashion. An album worthy of Tony Soprano's respect.

1. Metallica - Death Magnetic


The Bay Area Bashers rolled back the clock to the speed metal sound that made their name. Unruly song lengths, multisection arrangements, blazing fast guitar solos and growling vocals tear up the landscape. That Was Just Your Life and My Apocalypse could have just as easily come from ...And Justice For All (1988) with its total commitment to heaviocity (a word I made up just now). Some of their later, catchier style works its way in on All Nightmare Long or Cyanide but not to the point of weakening their edge. It's Metallica the way I've wanted to hear them for years: brutal, fast and uncompromising. Most of all, other than the Black Album and Garage Inc. it's the first Metallica album in twenty years to sound more like fun than work.

And there it is, my Ten favorite discs of the past year. Next up, my Five favorite movies and TV shows of '08.

Monday, December 22, 2008

20 Favorite Songs of 2008

2008 - brought to you exclusively by Wal Mart

It's almost the end of the year so it's time to join the pack and bust out the "Best of the Year" lists. It could have been Guitar Hero, could have been Rock Band or just plain nostalgia but 2008 was a watershed year for Classic Rock. A slew of artists who I spent my high school years jamming to decided to reunite or reconfigure in some way to create new music. I normally pick just Ten favorite songs but this year I have enough for Twenty (I even had more than Twenty)! Most years I struggle just to find four songs to list so this just goes to show what a banner year it was for aging rock stars. Even Chinese Democracy came out (not that I care about the actual disc). So on with the countdown!

20. Lenny Kravitz - It Is Time For A Love Revolution

A brief marching blast of hippie Peace and Love with the reach to call for a cultural shift in values and sell department store clothing at the same time.

19. Chicago - Let's Take A Lifetime

The famed balladeers dial down the bombast and let the gooey syrup flow like Mrs. Butterworth colliding into Aunt Jemima in slow motion.

18. Def Leppard - Hallucinate

Sometimes self reverence pays as the Lep go full on "Photograph" mode with the hooky excess of multitracked vocals and revved up guitars that made them great.

17. The Bridges - Pieces

Matthew Sweet's protege's revive wholesome family oriented 70's AM Gold under a pillow of harmony vocals.

16. Flight of the Conchords - The Most Beautiful Girl In The Room

Pure love poetry: "You're so beautiful...you could be a part time model. Or a high class prostitute."

15. Alicia Keys - Like You'll Never See Me Again

Like a great lost Prince song, Alicia Keys pumps up the melodrama amid circling keyboards and a slow stepping groove.

14. Metallica - The Day That Never Comes

Time to stop guessing which other Metallica song this sounds like and just enjoy the ride. This I Swear!

13. The Lonely Island - Jizz In My Pants

Saturday Night Live wraps up their funniest year since I-can't-remember-when with the novelty tune of '08.

12. Rick Springfield - What's Victoria's Secret

Catchy ad campaign baiting pop rock awesomeness from The Genius.

11. Sheryl Crow - Gasoline

The theme song for a year that at its peak saw fuel prices skyrocket to the point people couldn't afford to drive to the next town while oil companies recorded record profits.

10. Death Cab For Cutie - Your New Twin Sized Bed

For anyone who at some point in their life wondered if there was another person out there for them, this song captures that feeling perfectly (fortunately I no longer have moments like these :)

9. Van Morrison - Soul

There's no way for me to describe Van the Man's butter smooth soulfulness in a way that hasn't been done before. But I'll try anyway. Van Morrison's voice is as smooth as C3P0's bronze ass. How's that? Oh, and this is a great song about how soul comes from within you, not what's outside of you.

8. The Ting Tings - Shut Up And Let Me Go

The New Wave revival has died off a bit though that hasn't stopped this duo from pushing this bit of IPOD worthy froth. The beat sticks in my head for days on end after I hear it.

7. Asia - Never Again

The Fab Four of my generation (not really, I just like saying that) regrouped and recaptured some Pomp Rock glory. Steve Howe shines with his most aggressive playing in ages. Never Again did I think I would hear these four guys play together, but here they are kicking ass like it's 1985.

6. Snoop Dogg - Sensual Seduction

I'm not big on rap music and not really a fan of Snoop Dogg so it was a shock to me that I like a song of his now. This jam is reminiscent of those old Zapp songs with the mechanized voices. Is it too late for me to learn the Running Man? Yes, yes it is. But not too late for me to like this song.

5. AC / DC - Big Jack

Barrelling down the freeway at 100 mph, AC/DC cranks up their trademark rumble and screech into a frenzy of Hard Rock ecstasy. I don't know who Big Jack is, but like most AC/DC songs it makes me want to drink till I fall down and yell loudly in the face of the nearest person available. Yeah!

4. Bruce Springsteen - Girls In Their Summer Clothes

Technically a 2007 song though it was released as a single this year so I'm including it. A touch of Brian Wilson enhances the reverie of this melodic masterpiece. The feeling of being too young to settle down yet too old to run with the kids paints a sharp picture of middle age. And it has Springsteen doing one of his best Orbison style dark crooning.

3. Journey - Never Walk Away

The 80's Arena Rockers put their new frontman Arnel Pineda straight in the line of fire by opening up with this soaring anthem. Energized by the new blood, Journey takes flight again with the power and grace that made them Platinum selling rock stars.

2. Coldplay - Viva La Vida

A song so good that everyone and their mother are convinced they wrote it, Coldplay brings in a sweeping orchestral sound I haven't heard since the hey day of the Moody Blues. Cold hearted orb that rules the night, steals the Sun from our sight...oops, wrong song. It may have just as well been the lyrics to "Viva la Vida" because I don't know what Chris Martin is going on about, something regarding bells ringing and St Peter or ruling the world. None of the words really matter, it's all about the symphonic groove struck here.

1. Dragonforce - Heroes Of Our Time

Well, let's get the disclaimers out of the way first. Yes, their recordings are said to be faked and sped up. Yes, every song they write sounds exactly the same as the song before it. Yes, their claim to fame is being a difficult level on a video game. So why can't I get enough of this cheese fest? Because I love me some cheese, especially with a little ham. And Dragonforce has got all that, Viking vocals, shred on top of shred guitar and ridiculous drum beats. I played this song more than any other song this year, so it deserves being named my favorite song of 2008. On the few occasions where I exercise, I love working out to this.

That's my Top 20 songs of the year, feel free to share your favorite songs of this year if you like because I enjoy reading about other people's faves. Oh yeah, I later realized Flight of the Conchords came from 2007 but I'm too lazy to redo this. I probably would have ranked Matthew Sweet's "Feel Fear" if I knew that. Next up, my Top 10 Favorite Albums of '08.

Sunday, December 14, 2008

Midnight Madness - 70's Singles Rap Edition

Hey there groovy chick! You are really happening in a far out kind of way. Mama you are one hot number. I need to know...who's behind those Foster Grants, smoking those Virginia Slims soooo foxy. You've come a long way baby. Maybe you would like me to get some Jean Nate for you. For I shall serve no wine until it's time. You got it mama!

My wife and I were having some fun talking about 70's style yesterday so I decided to make that the theme. It's funny how the passage of time can make things seem corny...and I never got how calling a woman "mama" that wasn't your mother was supposed to be cool. But never mind with that, it's time to get down with the hip cats of this week that make up the Midnight Madness. Right On!

Who's the Winner, Bub? - Wolverine's Hugh Jackman will be hosting the upcoming Academy Awards. And if any of the winners speeches go past their alloted time they will get an adamantium claw in their face! Whoa, geeked out a little too much there.

Ain't Talkin' 'Bout Love - the Smoking Gun website uploaded evidence that Van Halen really did specify no Brown M&M's were allowed back stage on tour. Illegal drugs, abundant alcohol and groupies were OK, but no Brown M&M's!

Notorious - 50's model and cult star Bettie Page passed away this week.

Man Vs. Wild - host Bear Grylls was injured in Antarctica recently. I don't watch the show but it is unfortunate that the guy was hurt. Though I do have one question: This means Wild wins, right?

More J*zz in my Pants - Comedian Andy Samberg and his troupe The Lonely Island have a record deal now. Hopefully they will include classics like "Lazy Sunday" on their disc.

Blur Reunites - Woo Hoo! Actually, I've never really followed this band but that's the knee jerk response I have thanks to their hit Song 2.

Appetite for Self Destruction - Axl Rose finally does press, sort of, taking on all comers at a GNR online message board. The reclusive Rose proves he hasn't changed his my-way-or-the-highway approach to everything. Meanwhile, sales for Chinese Democracy continues to drop.

Taradise - America's best known party girl Tara Reid checks into rehab.

Copyplay - Chris Martin responds to plagiarism claims and says he did not copy Joe Satriani for their hit "Viva La Vida".

Wild in the Streets - Jon Bon Jovi promises the next album will have a big rock sound for Bon Jovi. And the band was named 2008's most successful touring act.

Satisfaction - Dartford, Kent is playing up the fact that they are the hometown to the Rolling Stones by naming streets after their songs. My selections? I'm rooting for Sister Morphine Drive, Star Star Ave, Moonlight Mile Kilometer, Beast of Burden Court and Emotional Rescue Street.

Blue Ridge Rangers part 2 - this time it's personal. Not really, John Fogerty has announced plans to record a sequel to his solo album of covers called Blue Ridge Rangers.

Send an Angel - No nod to 70's girls can be complete without Charlie's Angels. I used to stay up past my bedtime to watch this program. Anywhoo, here's the opening credits including Farrah Fawcett when she was still a Majors and her famous hair.

Charlie's Angels Theme

Sunday, December 07, 2008

Midnight Madness - Abbott and Costello Edition

Land of Confusion - Abbott and Costello work out the starting lineup in a comedy of errors.

I've been away for a little bit enjoying my Birthday! It's been a great couple of days, hopefully things will continue to go on a positive roll. One of the gifts I got was a Nintendo Wii, so now I'll have even more stuff to blog about. And now, time to go crazy.

Thank You! - Thank you to everyone for the Birthday wishes! You helped make this a great Birthday. And thank you to the Bunny!

Shotgun Blues - Axl Rose continues to follow The Tubes old "Completion Backwards Principle" by doing very little press for the release of Chinese Democracy but instead take the time to lash out at Dr Pepper for a botched promotional tie in. We missed you Axl! You remain the rocker whose next hit is usually a literal punch at someone.

Viva La Vida Redux - Coldplay's smash hit continues to be a magnet for plagiarism claims, this time by established guitar god Joe Satriani. Who knew Coldplay's most original sounding song could seem so derivative? What I heard did have some similarities, but I can't help but wonder if the timing of the lawsuit is because of the Grammy noms.

The Day Finally Came - Metallica is free of their record label and is considering the internet for future direct distribution of their music.

Darling Britney - Shades of the movement that started the PMRC, parents are getting upset about Britney Spear's song "If You Seek Amy" which is pronounced "If - U - See - Kay - Me". Where's Tipper Gore when you need her? The song is normal pop junk, but I have a soft spot for mildly offensive entertainment. Besides, April Wine beat Spears to this gimmick over 25 years ago.

It's Stevie Nicks, B*tch - Just seemed natural to follow a Britney Spears comment with this phrase. Fleetwood Mac is planning some touring in 2009.

Cable TV Roundup - What's new on Cable Networks? Let's take a look :
  • Hulk Hogan Celebrity Championship Wrestling - backed by real wrestling folk (Eric Bishoff, Jimmy Hart) this show comes with a bit of pedigree to its D level celebrity reality tv. The program is actually more fun that it has a right to be, watching the likes of Dennis Rodman, Todd Bridges, Danny Bonaduce and Dustin Diamond chop and DDT each other is pretty cool. It's on CMT.

  • That Metal Show - Wayne's World was not meant to be taken seriously...or was it? Eddie Trunk and crew gab over what's truly important, such as if Led Zep or Black Sabbath had a greater influence on Hard Rock. A rock geek's paradise on VH1 Classic.

  • Chase - The game show that's meant to be like a video game, it's very reminiscent of the old Schwartzenegger flick The Running Man. Contestants are given a backpack and a maze like environment to run through timed missions while evading Matrix looking people. A big game of Tag with special rules, I actually found this program to be fairly entertaining. It's on Sci Fi Channel (Thank you to Some Kinda Wonderful and her son for the correction, I had listed G4 which became Spike a long time ago and was the wrong channel anyway).

Grammy Awards - The latest Grammy Awards are out and so I thought I would take a look at the Song of the Year nominees:

  • American Boy by Estelle featuring Kanye West - I haven't heard this song until today, it's surprisingly breezy and slightly jazzy (the presence of Kanye West part had me expecting something harsher). A pleasant song that will undoubtedly get co-opted into a clothing commercial some day.

  • Chasing Pavements by Adele - An inventive video does a nice job of enhancing the song. The latest British girl to ride the old school Soul wave, this song does have a nice sweeping hook and strong plaintive vocal.

  • I'm Yours by Jason Mraz - Three songs into these nominated tunes and I think I'm finding a pattern. The Grammy's are all about relaxation this year. This song is Ok, maybe a grower, makes me want to take a tropical vacation. Or eat chicken wings at a sports bar. One of those two things.

  • Love Song by Sara Bareilles - A good piano based jam that got massively overplayed, still like the clever writing angle. And as this has been commercialized already, I think of that computer printer ad everytime I hear this. Still, a good song.

  • Viva La Vida by Coldplay - Or Lawsuit and All Of His Friends, this is my favorite of the songs nominated here. I wish they had expanded on the Apple video instead of this album cover come to life thing they did here. Oh well. One of my favorite songs of this past year.

And one for the road, I just felt like posting this classic Abbott and Costello clip. A & C movies were favorites of mine on weekend tv growing up, here's my favorite comedy bit of theirs, Who's on First. I once tried to memorize it, got nowhere close.

Abbott and Costello "Who's On First?"

Wednesday, June 25, 2008

WE ARE COLDPLAY. YOU WILL BE ASSIMILATED. RESISTANCE IS FUTILE.

Coldplay moves towards the future with new tunes and a fresh attitude. Oh, that's The Borg not Coldplay pictured. Would be cool if it was Coldplay though.
.
It's a fine line between having a musical influence and copying someone else's stuff. Every musician has influences, but the question is can the artist make their influences their own? Or will they come off as a pale imitation of the original? For Coldplay, that question comes up with their fourth album Viva La Vida or Death and all his Friends. Having recorded what will probably be considered their definitive album the second time out (A Rush of Blood to the Head in 2002) and delivering their bigger and bloatier follow up (X & Y in 2005) the fourth album becomes the deal breaker for the alt rock balladeers. Is the ride over or can the band renew interest in them after such a heady commercial peak?

The quartet saw the ante upped by the fact that in the wake of their popularity a number of other bands adopted their sound. It's gotten to the point that other bands accuse Coldplay of literally stealing their songs. Damn that Chris Martin, he's taking the music from my mind again! Stop that Chris, I'm on to you.

But maybe the claim that Martin is a musical hamburgler isn't too far off. Vida la Viva shows the group opening up their sound to a new range of tones and instrumentations. The classic Coldplay thang of swoony singing, classy keyboards and a subtlety sweeping groove is still intact. And thankfully, the over production of the prior album has been stripped away to bring back the lightness of the rest of their canon. But to liven things up, they've amped up on heavier beats and jingly percussion. Plus, they've taken on new influences to add texture to the album.

A big example is "Yes" which tackles Eastern musical themes and a droning chorus to an almost Dave Matthews Band Before These Crowded Streets degree. Their smash hit title track shows a strong Verve "Bittersweet Symphony" feel (accented by Coldplay's performance of that 90's classic with the Verve's lead singer at Live 8). "42" manages to mash up a ballad similar to their own "In My Place" with a bit of Arcade Fire in the midsection. Yup, it's a fine line between influence and thievery-Martin and Co. dance all over it.

In spite of the impulse to put down mega rich movie star marrying rock stars, I have to admit that Coldplay is successful in assimilating these influences to their sound. Viva La Vida expands their sonic palate without sacrificing the core of their free trade lovin' hearts. Viva's the step forward that the band needed to make and while it is not quite as good as A Rush of Blood to the Head (that disc had a certain purity to it) it is an addictive listen. Like The Borg in Star Trek: The Next Generation Coldplay becomes one with their outer resources. And the move has paid off with a number one album.

And now the lead single from Coldplay, their pounding anti war statement "Violet Hill". With this post done I can now troll around the internet to see how far off I am! Remember, Resistance is Futile.

Coldplay "Violet Hill"

Sunday, June 22, 2008

6/21 Midnight Madness McLovin edition

McLovin the Midnight Madness!

I am McLovin! Time to start the Midnight Madness-

Death Proof?- Metallica have named their upcoming album Death Magnetic. The Bay Area Bashers are being produced by Rick Rubin and are talking this up as a return to speed metal. If this is true, prepare to ride the lightning!

Not Wanted?- This dumbass movie starring Angelina Joile and Morgan Freeman keeps advertising every 5 minutes. It seems to involve people shooting guns that fire bullets that can curve around instead of going straight. Like a really bad version of ping pong, you can put english on bullets to spin their direction or even block one bullet with another. The rest of the time, Angelina Joile takes off her clothes and lays on her back at a drop of the hat (she can do it on top of subway cars, out of car windows while in traffic, etc). I'm sure Brad Pitt likes that! I wonder if Morgan Freeman narrates their life in his spare time too. Wouldn't that be cool? He can make taking out the trash sound noble and grand, he's that good. As for the rest of us who have to endure this ridiculous commercial, please stop the pain.

The Rainbow Flag?- Guitarist Ritchie Blackmore is infamous for his temperament and ability to hire and fire people faster than The Donald. It's gotten to the point that there are so many ex-members to Deep Purple and Rainbow that they've decided to form their own band-Purple Rainbow. And I bet the title of this paragraph made you think I was going to comment on Gay Marriage. Psych!

Cold Plagerism?-There is some guy in an indie band claiming Coldplay copied his song for their hit "Viva la Vida". He even supplies a You Tube clip comparing the songs. I'm glad he did, because its convinced me that while Chris Martin copies a lot of people this indie band isn't one of them. There are similarities, but at the same time there are so many people working this Coldplay/Radiohead sound these days that it all mashes up into one song anyways. This indie band comes off as making a desperate ploy for attention.

Cut Out Bin Euphoria?-My wife took me to a nearby Used CD store and let me go crazy. I picked up classics like John Waite Rover's Return and Steel Breeze's first album (I didn't know it was ever printed on CD). Thanks honey!

The Saints Come Marching In?-You know it's a Motley Crue comeback when the manager's been fired and they're trying to get out of contracts (with MTV film division) and the album isn't even out yet. It is streaming at http://www.iheartmusic.com/main.html and from the few tracks I heard it sounds promising.

Where's Men At Work?- Journey's new disc is in the Top 10 on Billboard for a second week in a row! The last time this happened, I think Men At Work had two albums in the Top 10. What ever happened to Men At Work?

RIP Stan Winston - The special effects legend passed away this week. His work on Sci Fi classics like Terminator and Alien is the stuff dreams are made of, he will be missed by millions of movie fans.

Happy Tan Jobi Mom! - Happy Tan Jobi Mom!

To close, because I like to share, here's the advertisement for the movie Wanted. I know, I know, you can thank me later.

Wanted Trailer